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Sketch for a Mural

Vasyl Poliovyi

Basic information

ID: Ж-8193
Author: Vasyl Poliovyi
Name: Sketch for a Mural
Date of creation: 1970s (?)
Culture: Ukrainian art of the Soviet period
Technique: original technique
Material: fibreboard mixed media
Dimensions (height x width, cm): 12 x 120.7

Additionally

Type: painting
Genre: symbolic art
Plot: Allegory
Provenance: Handed over to the museum from Vasyl Poliovyi

Information about author

Author: Vasyl Poliovyi
Artist's lifetime: b.1936
Country: the USSR, the USA
Biography: Vasyl Poliovyi is a Ukrainian painter and graphic artist, one of the leading authors of Soviet Nonconformist art. He was born on April 22, 1936, in Kryvyi Rih city. The artist's father, Petro Poliovyi, worked as an engineer, and his mother, Oleksandra, was a mathematics teacher. With the start of hostilities on the territory of the USSR on June 22, 1941, the family was evacuated to the Sverdlovsk region (RSFSR). There Vasyl Poliovyi studied in school, and after completing his education in 1954, he entered an art school in Yelets. However, the artist later transferred to the Tavricheskaya Art School (Leningrad, RSFSR) and then to the Higher School of Industrial Art named after Vera Mukhina. After completing his studies, he moved to Moscow, where he worked at an art collective with his wife, artist Yuliia Podohova. He focused mainly on the monumental and decorative design of the interiors and the exteriors of public buildings and governmental institutions. At the same time, he was involved in the circle of nonconformist artists in Moscow and Leningrad, including Dmytro Krasnopevtsev, Anatolii Zverev, Mykhailo Shemiakin, Oleh Tselkov, Eduard Steinberg, Volodymyr Sterlihov, and the Lianozovo Group, as well as writers like Serhii Dovlatov, Yurii Mamleev, and Vladlen Gavrilchik. He participated in unofficial exhibitions, including those in the Federal Republic of Germany, France, Italy, and Czechoslovakia. In 1965, while visiting his brother, the researcher and inventor Renat Poliovyi, the artist created a large cycle of thematic works about Ukraine. Some of them were exhibited in Moscow. Later he joined the Artists' Union of the USSR. In 1972, Vasyl Poliovyi moved to Lviv, where he worked on monumental and easel paintings. During this period, he interacted with the local art community, including Valerii Shalenko, Mykhailo Steinberg, Yurii Sokolov, Okhrim Kravchenko, Margit and Roman Selsky, Anatolii Semahin, art critics Hryhorii Ostrovskyi and Dmytro Shelest, and writer Ihor Klekh. In 1976, Vasyl Poliovyi was expelled from the Artists' Union, which made his professional activity practically impossible. As a result, the artist decided to emigrate from the Soviet Union to the United States, where he still lives and works in Greenville, South Carolina.

Object description

Based on the parameters, the sketch belongs to the same series as Ж-8192 and is dedicated to the visuals of high-tech energy. The composition unfolds from left to right, starting with a shoulder-profile depiction of an energy worker in protective gear, likely an employee of a nuclear power plant, performing necessary manipulations and monitoring the equipment. From this image, the perspective extends to, presumably, a stylised depiction of active zones of heterogeneous nuclear reactors, with a double curve of an oscilloscope (or a symbolic representation of an electromagnetic wave) positioned between them. Gas production towers are depicted next to the central image on the right side. Against the background of stylised clouds and skyline are symbolic images of a rainbow and a white bird (dove). The general idea of the composition reveals the technical aspects of the energy industry and its significance in peaceful everyday life. It is important to note that the stylistic approach used by the artist aligns with the general tendencies of Soviet modernist monumental art on both formal and symbolic levels. This ensured the recognition of stylised motifs and symbolic imagery. At the same time, the harmonious palette, colour scheme, and the absence of contrasting aggressive aspects were intended to contribute to the environment's compliance with the functional purpose and the contemplative mood of visitors.

Legal regulation

Borys Voznytskyi Lviv National Art Gallery

Sketch for a Mural

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