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A Series of Landscapes. Sheet No.4. Landscape

Stefano della Bella

  • A Series of Landscapes. Sheet No.4. Landscape
Basic information
ID
Г-IV-1004
Author
Stefano della Bella
Name
A Series of Landscapes. Sheet No.4. Landscape
Date of creation
c.1643
Country
Italy
Technique
etching
Material
paper
Dimensions
11.1 x 20.5 cm (height x width)
Additionally
Type
graphic art
Genre
landscape
Plot
Landscape
Provenance
Lviv Historical Museum
Information about author
Author
Stefano della Bella
Author in the original
Stefano della Bella
Artist's lifetime
1610–1644
Country
Italy
Biography
Stefano della Bella (Italian: Stefano della Bella; 1610, Florence – 1664, ibid.). A prominent Italian artist, engraver and etcher of the Early Baroque period, Stefano della Bella was one of the most prolific European printmakers of the 17th century. Following the untimely death of his father, the youth began training in a goldsmith's workshop. Around 1623, he moved to the workshop of the engraver Orazio Vanni, where he mastered the basic techniques of printmaking. Later, he refined his etching technique in the workshop of Remigio Cantagallina – the mentor of the famous French master Jacques Callot. Copying Callot's works significantly influenced the formation of della Bella's own refined artistic style.
During this same period, the artist secured the patronage of the Medici family, who supported him throughout his life. In 1633–1639, funded by his primary patron, Prince Lorenzo de' Medici (uncle of Ferdinand de' Medici, Grand Duke of Tuscany), the artist lived and studied in Rome. There, he immediately received major commissions and made numerous sketches of park ensembles, villas, palaces and ancient ruins, which he later incorporated into his engravings.In Rome, della Bella met the French printmakers Israel Henriet and François Langlois, thanks to whom he moved to Paris in 1639. In France, the artist quickly achieved immense popularity, establishing close and successful collaborations with them, as well as with the leading Parisian publisher Pierre Mariette. His etchings were in high demand among European collectors. In 1650, due to anti-Italian unrest in France (the Fronde), the engraver returned to his native Florence. During this late period, he significantly diversified his favourite themes, creating a series of hunting scenes, landscapes with Roman ruins and detailed depictions of horsemen.
Over his lifetime, Stefano della Bella created more than a thousand unique etchings and thousands of drawings. He worked across battle, landscape, animal, ornamental and genre scenes, capturing the events of his time with documentary precision – from the lavish theatrical pageants of the Florentine nobility to the harsh realities of the Thirty Years' War and the everyday street life of European cities. He became famous for his jewelry-fine, filigree-detailed miniature works.
Object description
A series of four rural landscapes called "Première suete de quatre paysages" ("The First Series of Four Landscapes") was published for the first time in 1641. Around 1643, the Lviv sheets were printed in Pierre Mariette's publishing house. Their performer is considered to be Francois Collignon, the French graphic designer and close friend of della Bella. Collaboration between engravers was a common practice, so Collignon repeatedly made engravings based on Stefano della Bella's drawings or replicated his previously published series. This landscape depicts a scenery with a mill and a village hut. Two women are having a conversation in the foreground. On the right, a group of peasants is sitting near the horse, most likely resting while gambling. On the left, smoke is drifting from the chimney of a village hut. A view of the valley is presented in the background, above which stands a wooden windmill.
 
Inscriptions
At the bottom left, there is an inscription: "Stef della Bella Inu Colignon fecit". At the bottom right is the inscription "Mariette excudit Cum Priuilegio 4".
Legal regulation
Borys Voznytskyi Lviv National Art Gallery

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