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Rural Paris

Yaroslava Muzyka

Basic information

ID: ФМз-Г-V-48
Author: Yaroslava Muzyka
Name: Rural Paris
Country: the USSR
Technique: scratching
Material: paper
Dimensions: 17 x 13.8 cm (height x width)

Additionally

Type: graphic art
Genre: mythological painting
Provenance: Yaroslava Muzyka Fund

Information about author

Author: Yaroslava Muzyka
Artist's lifetime: 1894–1973
Country: Austro-Hungarian Empire, the Ukrainian SSR, now Ukraine
Biography: Yaroslava Muzyka (Stefanovych) was born in Zaliztsi in Ternopil region on January 10, 1894. She died on November 24, 1973, in Lviv. She was an artist of diverse preferences and talent. She turned to graphic art – linocuts, woodcuts, drypoint, monotype; painting – oil, tempera, gouache, encaustic; mosaic and enamel, on glass, grattage on gold or silver foil, batik, embossing on leather, embossing on metal. She studied drawing and painting at Leonard Podhorodecki Free Academy of Fine Arts in Lviv and André Lhote Academy in Paris. In 1928, she trained as an art restorer at the Central State Restoration Workshop of Ihor Grabar in Moscow. She also worked at the National Museum in the restoration workshop. Yaroslava Muzyka was one of the founders of the Association of Independent Ukrainian Artists (AIUA), a Ukrainian public art organization that operated in Lviv from 1931–1939. In 1937, the artist learned the difficult technique of burning enamel objects by attending Mariia Dolnytska classes in Lviv. In addition, she studied on her own using French and German enamelling manuals. The artist worked in the technique of bulk (scenic, painted) and cloisonne enamel. Her favourite subjects in the enamel works were Hutsul demonology, pagan mythology, beliefs of ancient Slavs, the works by Taras Shevchenko, images of animals, and female portraits.

Object description

Against a black background, three girls and a young man in full length in Hutsul (an ethnic group of Western Ukrainian highlanders) attire are depicted. The young man holds an apple in his right hand, which he offers to the girls. The scene composition resembles the ancient Greek myth "The Judgment of Paris".

Inscriptions

On the back, at the top, there is a pencil inscription: "Y. Muzyka ‘Rural Paris’, No. 447".

Legal regulation

Borys Voznytskyi Lviv National Art Gallery

Rural Paris

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