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Scene Depicting the Crusades (Confirming the Miracle of the Holy Lance Through the Trial by Fire)

Daniel Chodowiecki

  • Scene Depicting the Crusades (Confirming the Miracle of the Holy Lance Through the Trial by Fire) 1
  • Scene Depicting the Crusades (Confirming the Miracle of the Holy Lance Through the Trial by Fire) 2
  • Scene Depicting the Crusades (Confirming the Miracle of the Holy Lance Through the Trial by Fire) 1
  • Scene Depicting the Crusades (Confirming the Miracle of the Holy Lance Through the Trial by Fire) 2
Basic information
ID
Г-IV-1205
Author
Daniel Chodowiecki
Name
Scene Depicting the Crusades (Confirming the Miracle of the Holy Lance Through the Trial by Fire)
Date of creation
late 18th c.
Country
Germany
Technique
сopper engraving
Material
paper
Dimensions
9.5 x 5.5 cm (height x width)
Information about author
Author
Daniel Chodowiecki
Artist's lifetime
1726–1801
Country
Poland, Germany
Biography
Daniel Nikolaus Chodowiecki (1726, Gdańsk – 1801, Berlin) – a Polish-German artist, printmaker and painter, a master of etching and book illustration, a representative of the academic movement, and one of the leading exponents of sentimentalism in 18th-century German art.
The artist's father was a merchant, a descendant of a noble family. His mother came from a family of Swiss Huguenots. The young Daniel, continuing the family tradition, began working as a merchant. At the age of 17, he went to Berlin for a commercial apprenticeship, where he spent most of his life. Towards the end of his career, he became the director of the Prussian Academy of Arts (Preußische Akademie der Künste).
In the 1750s, the artist developed an interest in painting, and later in printmaking, becoming one of the leading book illustrators. Between 1770 and 1774, together with Johann Bernhard Basedow, the founder of the philanthropic movement in education, he worked on the four-volume publication "Elementary Textbook for Young People" ("Elementarwerk für die Jugend"). Chodowiecki created over 100 illustrations for it using the copper engraving technique, including some dedicated to the Crusades.
In 1781, the artist produced 12 illustrations for a play by Gustav Friedrich Wilhelm Großmann entitled "No More Than Six Dishes" ("Nicht mehr als sechs Schüsseln"). This comedy, with its strongly social-critical undertones, is considered one of the earliest outstanding dramatic works in German bourgeois literature.
Around 2,000 engravings by Chodowiecki on various subjects, executed in the techniques of etching and copper engraving, have survived to this day. One of his contemporaries wrote that, were it not for Chodowiecki's illustrations, countless books would never have found their readers. The artist created a large number of painted and graphic portraits, as well as genre scenes of burgher life, mostly executed in pen and ink. The total number of the artist's surviving drawings amounts to around 4,000.
Daniel Chodowiecki's works are held in Germany – at the Kupferstichkabinett (Museum of Prints and Drawings) in Berlin, the Museum of Fine Arts in Leipzig, and the Städel Museum in Frankfurt; in Poland – at the National Museum in Gdańsk; in Ukraine – at Borys Voznytskyi Lviv National Art Gallery, Vasyl Stefanyk Lviv National Scientific Library of Ukraine and the Kharkiv Art Museum, as well as in museums in Washington, Madrid and London.
Object description
During the siege of Antioch in 1098, a participant in the First Crusade, a visionary and a mystic, Peter Bartholomew, found the Holy Lance with which the side of the crucified Christ had been pierced. Not everyone believed him, so in April 1099, on his own initiative, he underwent a trial by fire.
At the centre of the composition is Peter, dressed in a white tunic. Holding the lance on his shoulder, he walks barefoot between two blazing pyres. The flames do not touch the man and form a pointed arch above him.
Three crusaders and a cleric (likely the papal legate) are observing this event. They are all depicted from behind in the foreground of the composition.
Inscriptions
Below the image is the inscription: "Der Endecker der heiligen Lanze unterwirst sich Bestätigung seines Wunders der Feuerprobe". On the reverse, at the top, are the inventory numbers of the Lviv Picture Gallery; below, in the centre: "Do wypraw Krzyżowych/ Jacob. 945/ E. 945/ 3615/ S.O.". At the bottom left is the round seal of the Lviv State Republican Historical Museum's holdings; on the right – the historical museum's inventory number.
Legal regulation
Borys Voznytskyi Lviv National Art Gallery
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