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Sympathy

Daniel Chodowiecki

Basic information

ID: Г-IV-2716
Author: Daniel Chodowiecki
Name: Sympathy
Country: Germany
Technique: etching
Material: paper on a cardboard mount
Dimensions: 8.6 x 5 cm (height x width)

Additionally

Type: graphic art
Genre: genre art
Provenance: Purchased from O. Bushel, 1977

Information about author

Author: Daniel Chodowiecki
Artist's lifetime: 1726–1801
Country: Poland, Germany
Biography: Daniel Nikolaus Chodowiecki (1726, Gdańsk – 1801, Berlin) – a Polish-German artist, printmaker and painter, a master of etching and book illustration, a representative of the academic movement, and one of the leading exponents of sentimentalism in 18th-century German art.
The artist's father was a merchant, a descendant of a noble family. His mother came from a family of Swiss Huguenots. The young Daniel, continuing the family tradition, began working as a merchant. At the age of 17, he went to Berlin for a commercial apprenticeship, where he spent most of his life. Towards the end of his career, he became the director of the Prussian Academy of Arts (Preußische Akademie der Künste).
In the 1750s, the artist developed an interest in painting, and later in printmaking, becoming one of the leading book illustrators. Between 1770 and 1774, together with Johann Bernhard Basedow, the founder of the philanthropic movement in education, he worked on the four-volume publication "Elementary Textbook for Young People" ("Elementarwerk für die Jugend"). Chodowiecki created over 100 illustrations for it using the copper engraving technique, including some dedicated to the Crusades.
In 1781, the artist produced 12 illustrations for a play by Gustav Friedrich Wilhelm Großmann entitled "No More Than Six Dishes" ("Nicht mehr als sechs Schüsseln"). This comedy, with its strongly social-critical undertones, is considered one of the earliest outstanding dramatic works in German bourgeois literature.
Around 2,000 engravings by Chodowiecki on various subjects, executed in the techniques of etching and copper engraving, have survived to this day. One of his contemporaries wrote that, were it not for Chodowiecki's illustrations, countless books would never have found their readers. The artist created a large number of painted and graphic portraits, as well as genre scenes of burgher life, mostly executed in pen and ink. The total number of the artist's surviving drawings amounts to around 4,000.
Daniel Chodowiecki's works are held in Germany – at the Kupferstichkabinett (Museum of Prints and Drawings) in Berlin, the Museum of Fine Arts in Leipzig, and the Städel Museum in Frankfurt; in Poland – at the National Museum in Gdańsk; in Ukraine – at Borys Voznytskyi Lviv National Art Gallery, Vasyl Stefanyk Lviv National Scientific Library of Ukraine and the Kharkiv Art Museum, as well as in museums in Washington, Madrid and London.

Object description

The print was created as an illustration for the 1794 "Göttinger Taschenkalender" pocket calendar, produced in Göttingen (Lower Saxony). It forms part of the series "Natural and Unnatural in Human Life" ("Natürliche und unnatürliche Depravation / Centifolia").
The composition follows the traditions of sentimentalism, characteristic of 18th-century German and French book illustration. The scene takes place in a bedroom, with a large bed standing on the left. To the right of it, a sick elderly man sits in an armchair, the anticipation of imminent death evident in his eyes. He is likely the father – the head of the household. A young woman, presumably his daughter, is depicted wearing a bonnet and a long skirt. She is carefully adjusting the pillow beneath her father's back. Below, the old man's grandson is squatting and gently placing something under his grandfather's feet to ease his suffering. To the right stands a table with a bottle of medicine and a glass. However, on the whole, the interior looks sombre and empty: one gets the impression that no one else ever visits the sick man.

Inscriptions

Above the image, on the top right, the number "3" is engraved. On the reverse – the inventory number of the Lviv Picture Gallery. Below the image is the title of the work in German and French: "Die Theilnahme / La compassion".

Legal regulation

Borys Voznytskyi Lviv National Art Gallery

Sympathy

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