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Paul the Apostle

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  • Paul the Apostle 1
  • Paul the Apostle 2
  • Paul the Apostle 3
  • Paul the Apostle 1
  • Paul the Apostle 2
  • Paul the Apostle 3
Basic information
ID
Ж-4806
Author
unknown
Name
Paul the Apostle
Date of creation
16th c.
Technique
tempera painting
Material
wood tempera
Dimensions
109.5 x 50 cm (height x width)
Additionally
Information about author
Author
unknown
Object description
The icon features a full-length depiction of Saint Paul, rendered in strict accordance with iconographic traditions. The saint is one of the most recognisable figures of the apostolic rank in Christian iconography. To identify the subject, a titlo with an abbreviated form of his name is located in the upper-left corner of the artwork. Standing on a wide strip of ground against a gilded background, the figure of Paul appears monumental and static. The saint's face is modelled expressively with individualised features: a high forehead crossed by horizontal furrows of wrinkles, eloquent almond-shaped eyes looking to the side, and a dark beard divided into distinct wavy strands. The ascetic expression conveys the persona of a thinker, theologian, and author of the Pauline epistles.
The saint's figure is somewhat elongated, presented in a frontal stance with a slight turn of the head. Paul's right hand is raised in a gesture of blessing, while his left hand holds the Gospel, symbolising the apostolic mission of preaching the Word of God. A halo decorated with a delicate floral motif encircles the saint's head. He is clad in a brown himation, rendered with crisp, angular graphic lines of highlighted folds, beneath which a rich blue chiton is visible. The drapery of the vestments is handled stylistically, emphasising a rhythm of broken, elongated folds that form a geometric pattern. The refined linearity and generalised treatment of the garments, contrasted with the detailed modelling of the face and the gilded background, follow the 16th-century Ukrainian icon-painting tradition. This style emerged from Late Byzantine canons synthesised with local painting techniques of the period.
Legal regulation
Borys Voznytskyi Lviv National Art Gallery
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