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Madonna and Child

Giovanni Battista Salvi da Sassoferrato

  • Madonna and Child 2
  • Madonna and Child 3
  • Madonna and Child 4
Basic information
ID
Ж-162
Author
Giovanni Battista Salvi da Sassoferrato
Name
Madonna and Child
Date of creation
c.1640s – 1650s
Technique
oil painting
Material
canvas oil
Dimensions (height x width, cm)
96.5 x 78
Information about author
Author
Giovanni Battista Salvi da Sassoferrato
Artist's lifetime
1609–1685
Country
Italy
Biography
Giovanni Battista Salvi (1609–1685), also known as Sassoferrato after his birthplace, was an Italian painter known for his adherence to the Raphaelian style, which he interpreted based on the experience of the Baroque style. The first teacher of Sassoferrato was his father, Tarquinio Salvi, who was also an artist. Later, the master worked under Domenichino, perhaps the most famous student of Annibale Carracci. Albrecht Dürer, Caravaggio, and representatives of the Bologna school—Francesco Albani, Guercino, and Guido Reni – all impacted the artist's style. Giovanni Battista Salvi is best known for his compositions for the Church of San Pietro of the Benedictine monastery in Perugia, the altar paintings of the Church of Santa Sabina in Rome, and copies after famous masters' works. The artist's heritage includes over 300 works housed mainly in the royal collection at Windsor Castle.
Object description
The canvas "Madonna and Child" from the collection of Borys Voznytskyi Lviv National Art Gallery is similar to the works of Raphael in its subtle poetry and idealization of images, balanced composition inscribed in a triangle, local colour, soft plasticity of forms, and fluidity of lines. Typical is a window in the background, behind which one can see an idealized and generalized landscape based on the interpretation of nature as a centre of harmony. The established iconography corresponds to the image of Mary, John the Baptist, and the baby Jesus, whose body outlines and movements, along with the drapery activity, give the canvas Mannerist and Baroque characteristics. At the same time, the painting technique and interpretation of the Virgin Mary image are associated with the Bolognese artistic tradition.
Legal regulation
Borys Voznytskyi Lviv National Art Gallery