Man and Women from the Village of Rivisondoli in the Province of L'Aquila in Upper Abruzzo
- Bartolomeo Pinelli
- Man and Women from the Village of Rivisondoli in the Province of L'Aquila in Upper Abruzzo
- Date of creation
- etching watercolor
- Dimensions (height x width, cm)
- 10 x 16.2
- graphic art
- genre art
- Collection of Faina Tarashchanska (Lviv), 1966
Information about author
This engraving is from the Neapolitan series. Thе composition is known only in a version with a square frame dated 1823. It is likely that a variant similar to the "Lviv"one was issued in the album Raccolta di 50 costumi li più interesanti delle città, terre e paesi in provincia diverse del Regno di Napoli (Collection of 50 most interesting picturesque costumes from cities, towns and villages of different provinces of the Kingdom of Naples) published by Giovanni Scudellari in Rome in 1817. In that album, the etching was not painted with watercolors. A young man and a girl are depicted in the centre; they are dancing fast. They are dressed in bright traditional clothing. A girl is wearing a yellow and blue dress with ribbons; a pink skirt with a blue apron with floral patterns is put over it. On her feet there are blue shoes with yellow bows; there is a necklace around his neck. The young man is leading her in a dance along a mountain path. He is wearing a red jacket over a blue vest girded with a wide red and yellow belt, blue trousers, and white stockings. On his head there is a Phrygian cap; on his feet there are black shoes. To the right of the dancing couple, there is a big tree. Background colors are blurred green, blue, and ochre tones. The Phrygian cap is a symbol of freedom. Between 1799 and 1815, on the territory of the Kingdom of Naples there was the so-called Parthenopean Republic (Parthenope is an ancient name of Naples). It was a satellite of Napoleonic France. This is probably where some items of clothing of the then Neapolitans came from.
In the lower left corner there is the author’s signature Pinelli written in italics, date – 1816, and the place of performance – Roma (illegibly). In the center of the engraving under the image there is the work’s title Uomo, e Donna del Paese di Rivisondoli Provincia dell’Aquila, Abruzzo Ultra. There is a number "34" in the upper right corner above the plate.