Full of philosophical reflections, allegories and symbols, Z. Flinta's landscape works are represented by a series of artistic solutions, including the associative reproduction of nature in a precious plastic drama of lines and planes of colour. Thus, in the landscape "In the Meadows" (1965), he created a pantheistic image of nature as a centre of harmony, wisdom, and eternal mystery. A combination of saturated emeralds, browns, and pale yellows creates a ghostly, moonlit image of the meadows. The tones of folklore and fairy tales are echoed in the whimsical lace of curved planes and verticals of trees. With its mystery and mysticism, the landscape resonates with the works by K. Zvirynskyi from the 1950s and 1960s, reflecting the Creator's will in nature.