The work is from the Roman series. Similar variants to the "Lviv'' one are known from engravings dated 1809 and 1815. The "Lviv" composition is simplified; less attention is paid to architectural details and figures of characters. It is a multi-figure composition of a grotesque type. In the center, a mother is sitting on the podium by the wall; she is picking head lice from her son's hair. He closed his eyes and put his head on her knees. The eldest daughter, in her turn, is looking for the parasites in her mother’s head; she is standing on the podium behind her. The youngest child tied with a strap to a rod nailed into the wall looks exceptionally funny; the girl is sucking her finger thoughtfully, pulling the loop of the strap with her weight. An ordinary and a bit damaged wall of the house, with fragments of windows at the top, serves as the background for the main part of the work. Only on the left, where the wall ends, a woman is depicted with two spindles in her hands; she is wearing a traditionally folded flattop headscarf. Her figure is in the center of an independent composition separated from the wall by a fragment of a tree with a green crown and a blue mountain top in the background. The gray and white, and bright colors of clothes, namely blue, yellow, red and crimson ones, highlight the figures. The wall of the house and the ground are depicted in blurred ocher and pink, as well as gray and blue tones.