Back

Collection of Ethnographic Drawings

Kajetan Kielisinski

  • Collection of Ethnographic Drawings 2
Basic information
ID
Г-V-424_126
Author
Kajetan Kielisinski
Name
Collection of Ethnographic Drawings
Country
Kingdom of Poland
Culture
Modern times
Technique
drawing
Material
pencil
Additionally
Information about author
Author
Kajetan Kielisinski
Artist's lifetime
1808–1849
Country
Duchy of Warsaw, Kingdom of Poland
Biography
Kajetan Wincenty Kielisiński (7 August 1808 – 2 January 1849) was a Polish graphic artist, illustrator, librarian, engraver, and draughtsman. He was born into the family of court official Kazper and Katarzyna, née Kleska. He studied at Warsaw University and drew under Jan Feliks Piwarski. After the outbreak of the November Uprising (1830–1831), he interrupted his art studies. He took part in the fighting in 1831, serving as a second lieutenant, and after the uprising was suppressed, he was unable to return to Warsaw. He lived in Kraków for some time, and from 1834 to 1839, he was the curator of the collections of H. Pawlikowski (a collector and bibliophile) in Medyka, where he honed his engraving skills, hoping to continue his studies in Vienna. From 1839, he worked as a librarian and curator of art collections for Tytus Działyński, a public and political figure, patron of the arts, and publisher of historical sources, in Oleszyce near Lubaczów, and from January 1840 in Kurnyk. In 1847, he published the "Catalogue of the Double Collections of Count Działyński's Library". Shortly before his death, he married Apollonia, née Gostynska. He died suddenly on 2 January 1849. K. W. Kielisiński's creative legacy includes about 1,000 watercolours, sketches, drawings of folk types, genre scenes, folk costumes, military uniforms, and landscapes, commissioned by W. Dzieduszycki, T. Działyński, and H. Pawlikowski. During his travels to various localities, he collected graphic materials for the publications "Polish Antiquities" and "Folk Costumes". In 1855, Poznań publisher Jan Konstanty Żupanski published "The Kielisiński's Album", which collected the artist's scattered works. The works of K. W. Kielisiński, signed KWK or KIK, are kept in museums in Krakow, Poznan, Warsaw, Wroclaw, the Borys Voznytskyi Lviv National Art Gallery, and the libraries of Warsaw and Jagiellonian Universities.
Object description
Kajetan Wincenty Kielisiński created numerous etchings and drawings devoted to folklore, life in Polish villages and towns, historical monuments, and landscapes. He was one of the first to develop bookplates in Poland. During his travels to various locations, he collected graphic materials for the publications "Polish Antiquities" and "Folk Costumes". In 1855, Poznań publisher Jan Konstanty Żupanski published "Kielisiński's Album", which collected the artist's scattered works. Kielisiński's graphic works, drawings, sketchbooks, and correspondence were kept in the Kórnik Library of the Polish Academy of Sciences, as well as in national museums (Kraków, Poznań, Warsaw) and renowned libraries (Jagiellonian University, Ossolineum, Warsaw University). In the drawing, a full-length portrait of a man is shown wearing long outerwear, similar to a żupan or peasant's overcoat, belted at the waist. He wears a tall, characteristic fur hat, reminiscent of the headgear of 18th–19th-century peasants or townspeople. The man is wearing boots, with one hand in his pocket and the other leaning on a stick or cane. The image depicted has the typical features of the traditional costume of that time. A simple bag, probably made of coarse fabric, hangs over his shoulder on a strap. His expression is weary, slightly sad, his gaze directed straight ahead. The drawing is executed in a restrained manner with attention to the details of clothing and fabric texture. The author sought to convey the figure's ethnographic type rather than the individual features of a specific person. The composition is simple: the man is depicted against a neutral background with lightly sketched natural details such as a bush, a stone, and the ground, which create context but do not distract attention from the figure. The work is primarily of ethnographic and historical significance, as it reflects the traditional costume of a particular era and social status. It serves as an important source for studying the folk clothing, everyday life, and appearance of people of past centuries. Its artistic value lies in the accuracy and expressiveness of the lines, the clarity of the composition, and its documentary authenticity. The style of the drawing testifies to the author's attempt to combine art with a thorough scientific description, making the image both aesthetic and informative.
Legal regulation
Borys Voznytskyi Lviv National Art Gallery