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Collection of Ethnographic Drawings

Kajetan Kielisinski

  • Collection of Ethnographic Drawings 2
Basic information
ID
Г-V-424_143
Author
Kajetan Kielisinski
Name
Collection of Ethnographic Drawings
Country
Kingdom of Poland
Culture
Modern times
Technique
drawing
Material
pencil
Additionally
Information about author
Author
Kajetan Kielisinski
Artist's lifetime
1808–1849
Country
Duchy of Warsaw, Kingdom of Poland
Biography
Kajetan Wincenty Kielisiński (7 August 1808 – 2 January 1849) was a Polish graphic artist, illustrator, librarian, engraver, and draughtsman. He was born into the family of court official Kazper and Katarzyna, née Kleska. He studied at Warsaw University and drew under Jan Feliks Piwarski. After the outbreak of the November Uprising (1830–1831), he interrupted his art studies. He took part in the fighting in 1831, serving as a second lieutenant, and after the uprising was suppressed, he was unable to return to Warsaw. He lived in Kraków for some time, and from 1834 to 1839, he was the curator of the collections of H. Pawlikowski (a collector and bibliophile) in Medyka, where he honed his engraving skills, hoping to continue his studies in Vienna. From 1839, he worked as a librarian and curator of art collections for Tytus Działyński, a public and political figure, patron of the arts, and publisher of historical sources, in Oleszyce near Lubaczów, and from January 1840 in Kurnyk. In 1847, he published the "Catalogue of the Double Collections of Count Działyński's Library". Shortly before his death, he married Apollonia, née Gostynska. He died suddenly on 2 January 1849. K. W. Kielisiński's creative legacy includes about 1,000 watercolours, sketches, drawings of folk types, genre scenes, folk costumes, military uniforms, and landscapes, commissioned by W. Dzieduszycki, T. Działyński, and H. Pawlikowski. During his travels to various localities, he collected graphic materials for the publications "Polish Antiquities" and "Folk Costumes". In 1855, Poznań publisher Jan Konstanty Żupanski published "The Kielisiński's Album", which collected the artist's scattered works. The works of K. W. Kielisiński, signed KWK or KIK, are kept in museums in Krakow, Poznan, Warsaw, Wroclaw, the Borys Voznytskyi Lviv National Art Gallery, and the libraries of Warsaw and Jagiellonian Universities.
Object description
Kajetan Wincenty Kielisiński created numerous etchings and drawings devoted to folklore, life in Polish villages and towns, historical monuments, and landscapes. He was one of the first to develop bookplates in Poland. During his travels to various locations, he collected graphic materials for the publications "Polish Antiquities" and "Folk Costumes". In 1855, Poznań publisher Jan Konstanty Żupanski published "Kielisiński's Album", which collected the artist's scattered works. Kielisiński's graphic works, drawings, sketchbooks, and correspondence were kept in the Kórnik Library of the Polish Academy of Sciences, as well as in national museums (Kraków, Poznań, Warsaw) and renowned libraries (Jagiellonian University, Ossolineum, Warsaw University). Judging by their clothing and styling, these are women from the noble or wealthy strata of society from the late Middle Ages or early Renaissance – approximately the late 14th to early 15th centuries. All three women have long, loose, or partially gathered hair, which at that time could indicate their young age or that they were unmarried (depending on the region). They are standing against a stone wall, probably near a building or fortress. All are wearing long robes or dresses with lavish folds that fall to the ground. This style was characteristic of noble ladies of the Middle Ages. The woman on the left is wearing a long dress with a belt at the waist. Over the dress is a long cloak or cape that falls from her shoulders. Her hair falls freely, possibly with braiding or decorative elements. The woman in the centre is wearing similar clothing – a long dress with a neckline covered by a lower layer of fabric. On her head is a narrow headband or bandage that supports her hair, which falls freely on her shoulders. Her posture indicates a certain liveliness – she may be talking or explaining something. The woman on the right is most distinguished by her headdress: she wears something like a veil or a majestic gauze covering her head and shoulders – it could be a hennin with a veil or another form of headdress worn by a married or older woman. She is dressed in a long robe with wide sleeves, which is a sign of status or respectable age. Her clothing looks more restrained and heavy than that of the other two. Their refined appearance, exquisite fabrics, long robes, and headdresses testify to their high social status. The background of the image is outlined – a stone wall of some building, with a plaque or coat of arms attached, and stone paving. At the bottom of the drawing, there is an inscription "1409", which may indicate the year or historical context. The artistic value of the drawing lies in its documentary and ethnographic accuracy in depicting the historical costume: the author sought to capture the details of the clothing and social image, rather than the individual features of the person.
Inscriptions
"1409".
Legal regulation
Borys Voznytskyi Lviv National Art Gallery