The image of Mary Magdalene as a sinner, who was forgiven because of her devotion to Christ, was widespread among all social strata of the 17th century. The artist painted the saint with long flowing hair, implying she was a loose woman. She is dressed in a typical outfit – a cilice and a red cloak that loosely wraps around her body. She is holding a skull and looking at it intently, deep in thought. Numerous replicas and copies of this painting attest to the success and popularity of the composition. The Lviv painting is most likely a recreation of the workshop, as its pictorial manner is much inferior to Carlo Dolci's well-detailed works.