The stylistic of the artwork is consistent with the sketch Г-ІІ-336. The composition is also asymmetrically arranged, with a predominance of cool hues, tonal and colour accents. The style of the upper part of the work with architectural objects and mountains, to some extent, resonates with the painting practices of the Arefiev Circle ("Order of the Beggars", 1950–1960). Yet, the overall execution is original and more subtle. The composition's primary element is the asymmetric water surface. The localisation of stylised structures is likely a representation of high water; along the horizon line is a series of rocky mountains of grey-ultramarine shades, contrasting with the sky of a rich tone, almost cadmium orange.