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Piferari in Rome. From the "Costumes of the Kingdom of Naples" Series

Bartolomeo Pinelli

  • Piferari in Rome. From the "Costumes of the Kingdom of Naples" Series 2
  • Piferari in Rome. From the "Costumes of the Kingdom of Naples" Series 3
Basic information
ID
Г-IV-1725
Author
Bartolomeo Pinelli
Name
Piferari in Rome. From the "Costumes of the Kingdom of Naples" Series
Date of creation
1810s
Technique
etching watercolour
Material
paper
Dimensions (height x width, cm)
10.1 x 16.1
Additionally
Type
graphic art
Genre
genre art
Provenance
Collection of Faina Tarashchanska (Lviv), 1966
Information about author
Author
Bartolomeo Pinelli
Artist's lifetime
1781–1835
Country
Italy
Biography
Bartolomeo Pinelli (1781, Rome – 1835, ibid.) was an Italian painter, engraver, and sculptor. He was the son of the ceramist G. B. Pinelli. Bartolomeo was born in ​​the Trastevere district (over the Tiber River). He studied in Bologna and later at the Academy of Saint Luke in Rome. The artist attended the Academy of Felice Giani, an Italian painter of the Neoclassic style, from whom he adopted the drawing style. At the beginning of the nineteenth century, Pinelli took an interest in the engravings of the Renaissance, namely in the works by Marcantonio Raimondi, and started making etchings and lithographs out of his drawings. In 1809, Pinelli created his first series of watercolour etchings – Collection of Fifty Picturesque Costumes (Raccolta di Cinquanta Costumi Pittoreschi). The album was reissued in 1814 and 1815. In 1816, a new version of the album under the title New Collection of Fifty Picturesque Costumes (Nuova Raccolta di Cinquanta Costumi Pittoreschi incisi di acqua forte) was released. Most of the Lviv engravings are from this series. The central theme of the artist's work is genre scenes (Costumi), which he saw in Rome and Naples, as well as the provinces of Abruzzo and Molise. Pinelli's engravings are not only of artistic value but also carry important ethnographic information. In the 1820s and 1830s, the artist created drawings and engravings for poems by Torquato Tasso (1827–1829) and the novel "Don Quixote" (1834) by Miguel de Cervantes. One of Pinelli's famous series of drawings is "Seven Hills of Rome" (Sette colli di Roma) (1827–1830). The artist's works are housed in many Italian museums and collections of other countries.
Object description
There are two versions of this composition by B. Pinelli. They are dated back to 1809 and 1815. In the first version, which the artist performed for the album Raccolta di Cinquanta Costumi Pittoreschi (Collection of Fifty Picturesque Costumes), to the left of the votive aedicula, in front of which the musicians are playing, there is a young woman with a child standing. In the second version, known from the album Nuova Raccolta di Cinquanta Costumi Pittoreschi (New Collection of Fifty Picturesque Costumes), a young woman kneels in prayer in front of the shrine. The Lviv version replicates the second composition with less author attention to the drawing but with an emphasis on bright local colours performed with watercolours. The pipers are dressed in bright clothes, with blue and red capes. On their feet are ciocia sandals and shoes; on their heads are Neapolitan bonnets. One of the musicians is holding a piffero, looking at the image in the aedicule, and the other one is playing the bagpipe-zampogna. The young woman, who is praying, is in mourning, as evidenced by her black headscarf.  Piferari (Pepiferari) are shepherds-musicians from the provinces of the Kingdom of Naples, mainly from Campania and Abruzzo, who came to Rome during the Christmas holidays and played music before the images of the Virgin Mary. They played the piffero and the Italian bagpipe (zampogna). They were the integral characters of Roman folk life.
Inscriptions
In the lower left corner, there is the author's signature Pinelli f. [fecit]. In the centre of the engraving, under the image, is the work's title: Li Piferari in Roma, Costumi del Regno di Napoli. The number "23" is in the upper right corner above the plate.
Legal regulation
Borys Voznytskyi Lviv National Art Gallery

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