"Smiling Woman" (1930) is a late easel sculpture by Z. Kurczynski, marked by the master's return to neoclassical forms with echoes of Secession decorativism. The influence of the cool neoclassical style can be seen in the idealisation, impersonality and extreme generalisation of the picture, in the soft modelling of the forms, and in the reproduction not of a situational state of happiness but of a smile of joy as an idea. The static nature of the picture, the absence of the powerful, almost Michelangelo-like internal dynamism of the artist's earlier works, as if inspired by the energies of the cosmic spheres, is indicative. The connection with the Secessionist style and the figurative and sculptural system created by Z. Kurczynski in monumental and decorative sculpture is indicated by the expressiveness, laconism, and stylised profile of the silhouette and the decorative wisps of hair. "Smiling Woman" is one of nine easel paintings by the sculptor preserved in Lviv, eight of which are in the museum collections and one in a private collection.