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Interior Scene

Daniel Chodowiecki

  • Interior Scene 1
  • Interior Scene 2
  • Interior Scene 1
  • Interior Scene 2
Basic information
ID
Г-IV-1238
Author
Daniel Chodowiecki
Name
Interior Scene
Country
Germany
Technique
etching
Material
paper
Dimensions
10.7 x 6.2 cm (height x width)
Information about author
Author
Daniel Chodowiecki
Artist's lifetime
1726–1801
Country
Poland, Germany
Biography
Daniel Nikolaus Chodowiecki (1726, Gdańsk – 1801, Berlin) – a Polish-German artist, printmaker and painter, a master of etching and book illustration, a representative of the academic movement, and one of the leading exponents of sentimentalism in 18th-century German art.
The artist's father was a merchant, a descendant of a noble family. His mother came from a family of Swiss Huguenots. The young Daniel, continuing the family tradition, began working as a merchant. At the age of 17, he went to Berlin for a commercial apprenticeship, where he spent most of his life. Towards the end of his career, he became the director of the Prussian Academy of Arts (Preußische Akademie der Künste).
In the 1750s, the artist developed an interest in painting, and later in printmaking, becoming one of the leading book illustrators. Between 1770 and 1774, together with Johann Bernhard Basedow, the founder of the philanthropic movement in education, he worked on the four-volume publication "Elementary Textbook for Young People" ("Elementarwerk für die Jugend"). Chodowiecki created over 100 illustrations for it using the copper engraving technique, including some dedicated to the Crusades.
In 1781, the artist produced 12 illustrations for a play by Gustav Friedrich Wilhelm Großmann entitled "No More Than Six Dishes" ("Nicht mehr als sechs Schüsseln"). This comedy, with its strongly social-critical undertones, is considered one of the earliest outstanding dramatic works in German bourgeois literature.
Around 2,000 engravings by Chodowiecki on various subjects, executed in the techniques of etching and copper engraving, have survived to this day. One of his contemporaries wrote that, were it not for Chodowiecki's illustrations, countless books would never have found their readers. The artist created a large number of painted and graphic portraits, as well as genre scenes of burgher life, mostly executed in pen and ink. The total number of the artist's surviving drawings amounts to around 4,000.
Daniel Chodowiecki's works are held in Germany – at the Kupferstichkabinett (Museum of Prints and Drawings) in Berlin, the Museum of Fine Arts in Leipzig, and the Städel Museum in Frankfurt; in Poland – at the National Museum in Gdańsk; in Ukraine – at Borys Voznytskyi Lviv National Art Gallery, Vasyl Stefanyk Lviv National Scientific Library of Ukraine and the Kharkiv Art Museum, as well as in museums in Washington, Madrid and London.
Object description
The work is probably an illustration for Wilhelm Gottlieb Becker's novella "Beatrice Cenci. A Roman History" ("Beatrice Cenci, eine römische Geschichte"), as its characters and compositional solution are similar to those presented on the title page of the narrative. The artist collaborated with the historian and philanthropist Becker in the 1790s.
The scene takes place in the interior of a Renaissance palace. Portraits of representatives of a noble family hang on the walls in oval frames. In the foreground, the figure of an elderly woman with a walking stick is emphasised. Leaning forward, she addresses an elegantly dressed young woman in a feathered headdress, presumably Beatrice Cenci.
Behind them stand an anxious woman and a moustachioed man, listening intently to the conversation. They are all dressed in accordance with 16th–17th-century fashion. The story of Beatrice Cenci is a famously dark tale of a young Roman noblewoman who, together with her stepmother and brother, plotted the murder of her cruel and tyrannical father, who had raped her. Following the discovery of their crime, a high-profile trial ensued. Beatrice was executed in Rome in 1599. Chodowiecki's illustration visually conveys the tension and family intrigues that led to the tragic finale of Becker's story.
Prints of this engraving are held in the Metropolitan Museum of Art in New York, the Dresden State Art Collections, the British Museum, the Kupferstichkabinett (Museum of Prints and Drawings) of the National Museums in Berlin and the National Library of France in Paris.
Inscriptions
In the bottom right corner, there is an artist's signature: "D. Chodowiecki inv. & sc". Written by hand in pencil below are the gallery inventory number and the accession book number.
Legal regulation
Borys Voznytskyi Lviv National Art Gallery
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