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Solemn Entry of Polish Ambassador into Rome in 1633. Title Page (Plate I)

Stefano della Bella

  • Solemn Entry of Polish Ambassador into Rome in 1633. Title Page (Plate I)
Basic information
ID
Г-IV-851
Author
Stefano della Bella
Name
Solemn Entry of Polish Ambassador into Rome in 1633. Title Page (Plate I)
Country
Italy
Technique
etching
Material
paper on cardboard
Dimensions
15.8 x 43 cm (height x width)
Information about author
Author
Stefano della Bella
Author in the original
Stefano della Bella
Artist's lifetime
1610–1644
Country
Italy
Biography
Stefano della Bella (Italian: Stefano della Bella; 1610, Florence – 1664, ibid.). A prominent Italian artist, engraver and etcher of the Early Baroque period, Stefano della Bella was one of the most prolific European printmakers of the 17th century. Following the untimely death of his father, the youth began training in a goldsmith's workshop. Around 1623, he moved to the workshop of the engraver Orazio Vanni, where he mastered the basic techniques of printmaking. Later, he refined his etching technique in the workshop of Remigio Cantagallina – the mentor of the famous French master Jacques Callot. Copying Callot's works significantly influenced the formation of della Bella's own refined artistic style.
During this same period, the artist secured the patronage of the Medici family, who supported him throughout his life. In 1633–1639, funded by his primary patron, Prince Lorenzo de' Medici (uncle of Ferdinand de' Medici, Grand Duke of Tuscany), the artist lived and studied in Rome. There, he immediately received major commissions and made numerous sketches of park ensembles, villas, palaces and ancient ruins, which he later incorporated into his engravings.In Rome, della Bella met the French printmakers Israel Henriet and François Langlois, thanks to whom he moved to Paris in 1639. In France, the artist quickly achieved immense popularity, establishing close and successful collaborations with them, as well as with the leading Parisian publisher Pierre Mariette. His etchings were in high demand among European collectors. In 1650, due to anti-Italian unrest in France (the Fronde), the engraver returned to his native Florence. During this late period, he significantly diversified his favourite themes, creating a series of hunting scenes, landscapes with Roman ruins and detailed depictions of horsemen.
Over his lifetime, Stefano della Bella created more than a thousand unique etchings and thousands of drawings. He worked across battle, landscape, animal, ornamental and genre scenes, capturing the events of his time with documentary precision – from the lavish theatrical pageants of the Florentine nobility to the harsh realities of the Thirty Years' War and the everyday street life of European cities. He became famous for his jewelry-fine, filigree-detailed miniature works.
Object description
The title page of a frieze-panorama consisting of six engravings. The work is dedicated to the magnificent diplomatic procession of Jerzy Ossoliński, Grand Chancellor of the Crown of the Polish-Lithuanian Commonwealth, to Pope Urban VIII in 1633. The engraving features a multi-figure composition: a long procession of mounted and foot travellers moves from the right side of the sheet into the background along the centre. A panorama of the city opens up in the distance.
Against the sky above the panorama, the title of the work is inscribed in capital letters: "ENTRATA IN ROMA DELL'ECCELmo AMBASCIATORE DI POLLONIA L ANNO MDCXXXIII" [Entry into Rome of His Excellency the Ambassador of Poland in 1633]. In the foreground on the left, near a stone stele ledge decorated at the top with a crowned coat of arms, the figure of a man is depicted in profile. He wears a long cloak, with a hat hanging behind his back. This is presumably Prince Lorenzo de' Medici. This is further supported by the Medici coat of arms with six balls and the inscription on the tablet attached to the stele ledge.
The upper part of the tablet reads: "AL Ser.mo Principe / D·Lorenzo deMedici" [To the Most Serene Prince Don Lorenzo de' Medici]. In the text, the artist addresses the prince with the words: "Non debbo aggrandir vn picciol dono con molte parole; perciò semplicem.te suplico V. A. ad aggradire il testimonio della mia obligatiss.ima diuotione espresso in questa pouera carta et humilm.te mele inchino D. V. A. S. Ser.ma" [I must not enlarge a small gift with many words; therefore I simply implore Your Highness to accept the testimony of my most bounden devotion expressed on this poor paper, and I humbly bow to Your Most Serene Highness].
Below on the tablet, the artist inscribed his name: "Humiliss. et oblig.mo Ser.re / Stefano della Bella / DD" (Humilissimo et obligatissimo Servitore / Stefano della Bella / Dono Dedicavit) [Most humble and most bounden servant / Stefano della Bella / Dedicated and presented as a gift]. Above, on the stone ledge, several figures are depicted watching the procession. A woman stands behind the prince, possibly his wife.
Below the stele ledge and the figure of the ruler are inscriptions in Old Italian: "A. 2 Corrieri Pollachi vestiti di raso con Giubbe di velluto" [Two Polish couriers dressed in satin with velvet robes]; "B. 22 Muli guarniti a varie foggie" [22 mules adorned in various manners]; "C. Cavalleggieri della Guardia di S. Santità" [Light cavalry of His Holiness's Guard]; "D. Mule de Signori Cardinali" [Mules of the Eminent Cardinals]. These inscriptions refer to the images in the middle ground and background.
On the right in the foreground of the engraving, under the letter "E", camels and figures in Eastern attire are depicted. Below them is the inscription: "E Dieci Camelli con superbissime valdrappe di velluto rosso ricamate con ferri testiere e tortori d'Argento guidati da Persiani. e Armeni con diverse foggie" [And ten camels with magnificent embroidered caparisons of red velvet, with iron headpieces and silver neck collars, led by Persians and Armenians in diverse attire].
On the right, four mounted trumpeters close the composition (letter "F"). Below the image is the inscription: "Quattro trombetti" [four trumpeters]. Between them and the Eastern group stands a nobleman in a feathered hat, leaning on his sword. In the middle ground behind him, the dome of a church is depicted – likely St Peter's Basilica in Rome.
Inscriptions
Engraved with the artist's signature on a tablet attached to a stone stele ledge on the left: "Humiliss. et oblig.mo Ser.re/ Stefano della Bella/ DD". On the cardboard mount lower left, inventory number: "№ Г-IV-851/ ЛДКГ".
Legal regulation
Borys Voznytskyi Lviv National Art Gallery
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