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Shepherd on Horseback. From the "Four Large Vertical Landscapes" Series

Stefano della Bella

  • Shepherd on Horseback. From the "Four Large Vertical Landscapes" Series
Basic information
ID
Г-IV-860
Author
Stefano della Bella
Name
Shepherd on Horseback. From the "Four Large Vertical Landscapes" Series
Country
Italy
Technique
etching
Material
paper on cardboard
Dimensions
25.5 x 18.8 cm (height x width)
Information about author
Author
Stefano della Bella
Author in the original
Stefano della Bella
Artist's lifetime
1610–1644
Country
Italy
Biography
Stefano della Bella (Italian: Stefano della Bella; 1610, Florence – 1664, ibid.). A prominent Italian artist, engraver and etcher of the Early Baroque period, Stefano della Bella was one of the most prolific European printmakers of the 17th century. Following the untimely death of his father, the youth began training in a goldsmith's workshop. Around 1623, he moved to the workshop of the engraver Orazio Vanni, where he mastered the basic techniques of printmaking. Later, he refined his etching technique in the workshop of Remigio Cantagallina – the mentor of the famous French master Jacques Callot. Copying Callot's works significantly influenced the formation of della Bella's own refined artistic style.
During this same period, the artist secured the patronage of the Medici family, who supported him throughout his life. In 1633–1639, funded by his primary patron, Prince Lorenzo de' Medici (uncle of Ferdinand de' Medici, Grand Duke of Tuscany), the artist lived and studied in Rome. There, he immediately received major commissions and made numerous sketches of park ensembles, villas, palaces and ancient ruins, which he later incorporated into his engravings.In Rome, della Bella met the French printmakers Israel Henriet and François Langlois, thanks to whom he moved to Paris in 1639. In France, the artist quickly achieved immense popularity, establishing close and successful collaborations with them, as well as with the leading Parisian publisher Pierre Mariette. His etchings were in high demand among European collectors. In 1650, due to anti-Italian unrest in France (the Fronde), the engraver returned to his native Florence. During this late period, he significantly diversified his favourite themes, creating a series of hunting scenes, landscapes with Roman ruins and detailed depictions of horsemen.
Over his lifetime, Stefano della Bella created more than a thousand unique etchings and thousands of drawings. He worked across battle, landscape, animal, ornamental and genre scenes, capturing the events of his time with documentary precision – from the lavish theatrical pageants of the Florentine nobility to the harsh realities of the Thirty Years' War and the everyday street life of European cities. He became famous for his jewelry-fine, filigree-detailed miniature works.
Object description
The fourth of four landscapes from the "Four Large Vertical Landscapes" series (Quatre grands paysages en hauteur), executed by the artist after his return from Paris to Florence in the 1650s. The foreground of the composition on the left depicts a young shepherd on horseback crossing a stream on a rocky hillside. He carefully holds a large sack in his hands. Next to the shepherd is a dog running to the left and a goat to the right. To the left behind the rock, the faces of four more domestic animals can be discerned – a cow, a he-goat, and two sheep. The left side of the engraving is occupied by a massive, detailed, wide-branching tree with dense foliage. The textures of the bark and leaves are conveyed through fine, dynamic lines characteristic of the artist's style. The background reveals a panorama of hills and low mountains beneath a cloudy sky.
The work demonstrates the author's masterly command of chiaroscuro, which creates a sense of spatial depth and atmospheric environment. This pastoral piece captures a tranquil, everyday motif of rural life, accentuated by a characteristic Italian mountain landscape.
Inscriptions
The author's initials are at the bottom left, underneath the print: "SDB (D encompasses the letters on both sides) ella". On the backing cardboard, underneath the sheet on the left, there is a label with a seal of Lviv Historical Museum and a numbered stamp; above it – Lviv National Art Gallery inventory number in pencil: "№ Г-IV-860/ ЛДКГ".
Legal regulation
Borys Voznytskyi Lviv National Art Gallery
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