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Sketch for a Mosaic on Public Transport Stop Walls in Dubyna Village, Stryi District, Lviv Region

Vasyl Poliovyi

  • Sketch for a Mosaic on Public Transport Stop Walls in Dubyna Village, Stryi District, Lviv Region 2
  • Sketch for a Mosaic on Public Transport Stop Walls in Dubyna Village, Stryi District, Lviv Region 3
Basic information
ID
Ж-8178
Author
Vasyl Poliovyi
Name
Sketch for a Mosaic on Public Transport Stop Walls in Dubyna Village, Stryi District, Lviv Region
Date of creation
1974
Culture
Ukrainian art of the Soviet period
Technique
original technique
Material
cardboard mixed media
Dimensions (height x width, cm)
20.3 x 13.5
Information about author
Author
Vasyl Poliovyi
Artist's lifetime
b.1936
Country
the USSR, the USA
Biography
Vasyl Poliovyi is a Ukrainian painter and graphic artist, one of the leading authors of Soviet Nonconformist art. He was born on April 22, 1936, in Kryvyi Rih city. The artist's father, Petro Poliovyi, worked as an engineer, and his mother, Oleksandra, was a mathematics teacher. With the start of hostilities on the territory of the USSR on June 22, 1941, the family was evacuated to the Sverdlovsk region (RSFSR). There Vasyl Poliovyi studied in school, and after completing his education in 1954, he entered an art school in Yelets. However, the artist later transferred to the Tavricheskaya Art School (Leningrad, RSFSR) and then to the Higher School of Industrial Art named after Vera Mukhina. After completing his studies, he moved to Moscow, where he worked at an art collective with his wife, artist Yuliia Podohova. He focused mainly on the monumental and decorative design of the interiors and the exteriors of public buildings and governmental institutions. At the same time, he was involved in the circle of nonconformist artists in Moscow and Leningrad, including Dmytro Krasnopevtsev, Anatolii Zverev, Mykhailo Shemiakin, Oleh Tselkov, Eduard Steinberg, Volodymyr Sterlihov, and the Lianozovo Group, as well as writers like Serhii Dovlatov, Yurii Mamleev, and Vladlen Gavrilchik. He participated in unofficial exhibitions, including those in the Federal Republic of Germany, France, Italy, and Czechoslovakia. In 1965, while visiting his brother, the researcher and inventor Renat Poliovyi, the artist created a large cycle of thematic works about Ukraine. Some of them were exhibited in Moscow. Later he joined the Artists' Union of the USSR. In 1972, Vasyl Poliovyi moved to Lviv, where he worked on monumental and easel paintings. During this period, he interacted with the local art community, including Valerii Shalenko, Mykhailo Steinberg, Yurii Sokolov, Okhrim Kravchenko, Margit and Roman Selsky, Anatolii Semahin, art critics Hryhorii Ostrovskyi and Dmytro Shelest, and writer Ihor Klekh. In 1976, Vasyl Poliovyi was expelled from the Artists' Union, which made his professional activity practically impossible. As a result, the artist decided to emigrate from the Soviet Union to the United States, where he still lives and works in Greenville, South Carolina.
Object description
On the cardboard, a quadrilateral figure with two right angles is depicted in a pictorial technique (a stylised depiction of the side wall of the architectural object at the public transport stop in the village of Dubyna). Within this vertical quadrilateral, a forest landscape is shown, likely in autumn (the colour of an oak leaf and the presence of stylised fallen leaves correspond to the season of the biological process of foliage shedding in plants). In the right part of the image, there is a fragment of the lower part of a mechanically cut tree. Against this background, a young spotted deer (probably a female Cervus nippon) is depicted lying on its limbs in the centre of the piece. The head of the animal is turned to the left, with distinctively turned ears. The composition is balanced and executed in warm ochre and earthy tones, with selective tonal and colour accents. With minor modifications to the composition and colour scheme, this sketch was executed at the site using the mosaic technique. As of the beginning of 2023, the artwork was in a satisfactory state of preservation.
Inscriptions
At the bottom of the image, there is an inscription "В Полєв 74"
Legal regulation
Borys Voznytskyi Lviv National Art Gallery