Known primarily for his fascination with Hutsul culture and the life of small Galician towns, Stanislaw Debicki was also interested in symbolism for a time. The vertical multi-figure composition "Capital" has an allegorical-symbolic character. At the centre, a semi-naked man with a face resembling a mascaron embodies Capital. Above him, dominating the scene is a profile depiction of Jesus Christ in a crimson cloak and a crown of thorns. He places a huge golden crown on the man's head with his hands bound, from which the Lord's wounds are bleeding. The sketched male and female figures surrounding Capital in various poses create an impression of dynamic movement. The composition is presented in a narrow range of warm shades of brown and black.