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Sketch for a Mural on the Territory of the Lviv State Leather Enterprise (until 1976, the Svitanok Leather Company)

Vasyl Poliovyi

  • Sketch for a Mural on the Territory of the Lviv State Leather Enterprise (until 1976, the Svitanok Leather Company) 2
  • Sketch for a Mural on the Territory of the Lviv State Leather Enterprise (until 1976, the Svitanok Leather Company) 3
Basic information
ID
Г-II-332
Author
Vasyl Poliovyi
Name
Sketch for a Mural on the Territory of the Lviv State Leather Enterprise (until 1976, the Svitanok Leather Company)
Date of creation
1970s (?)
Country
the USSR
Culture
Ukrainian art of the Soviet period
Technique
mixed technique
Material
cardboard pastel
Dimensions (height x width, cm)
109.5 x 84
Information about author
Author
Vasyl Poliovyi
Artist's lifetime
b.1936
Country
the USSR, the USA
Biography
Vasyl Poliovyi is a Ukrainian painter and graphic artist, one of the leading authors of Soviet Nonconformist art. He was born on April 22, 1936, in Kryvyi Rih city. The artist's father, Petro Poliovyi, worked as an engineer, and his mother, Oleksandra, was a mathematics teacher. With the start of hostilities on the territory of the USSR on June 22, 1941, the family was evacuated to the Sverdlovsk region (RSFSR). There Vasyl Poliovyi studied in school, and after completing his education in 1954, he entered an art school in Yelets. However, the artist later transferred to the Tavricheskaya Art School (Leningrad, RSFSR) and then to the Higher School of Industrial Art named after Vera Mukhina. After completing his studies, he moved to Moscow, where he worked at an art collective with his wife, artist Yuliia Podohova. He focused mainly on the monumental and decorative design of the interiors and the exteriors of public buildings and governmental institutions. At the same time, he was involved in the circle of nonconformist artists in Moscow and Leningrad, including Dmytro Krasnopevtsev, Anatolii Zverev, Mykhailo Shemiakin, Oleh Tselkov, Eduard Steinberg, Volodymyr Sterlihov, and the Lianozovo Group, as well as writers like Serhii Dovlatov, Yurii Mamleev, and Vladlen Gavrilchik. He participated in unofficial exhibitions, including those in the Federal Republic of Germany, France, Italy, and Czechoslovakia. In 1965, while visiting his brother, the researcher and inventor Renat Poliovyi, the artist created a large cycle of thematic works about Ukraine. Some of them were exhibited in Moscow. Later he joined the Artists' Union of the USSR. In 1972, Vasyl Poliovyi moved to Lviv, where he worked on monumental and easel paintings. During this period, he interacted with the local art community, including Valerii Shalenko, Mykhailo Steinberg, Yurii Sokolov, Okhrim Kravchenko, Margit and Roman Selsky, Anatolii Semahin, art critics Hryhorii Ostrovskyi and Dmytro Shelest, and writer Ihor Klekh. In 1976, Vasyl Poliovyi was expelled from the Artists' Union, which made his professional activity practically impossible. As a result, the artist decided to emigrate from the Soviet Union to the United States, where he still lives and works in Greenville, South Carolina.
Object description
The work belongs to the sketches for the Lviv Leather Enterprise (1980). Now the sketches are lost. As in the scene at the fair (Г-ІІ-340), the interpretation used by the artist is relatively realistic, and the nature of the detail is more illustrative than monumental. As a result, a rather uncommon use of textures imitating ornamentation (on a sleeveless fur vest (keptar), headscarf, shirt, outerwear, and shoes) can be observed. This approach adds an ethnographic component to the artwork while complicating the possibility of identification, thus contributing to the simultaneous universalisation of the images. The sketch depicts a scene in a shoemaker's workshop, where customers have arrived: a man (shown facing the viewer, holding a pipe in his left hand) and a woman (figure shown in a three-quarter view, face in profile), both dressed in national costumes (stylised decoratively, corresponding to the transitional seasons), positioned in the centre and on the right side of the composition. The craftsman is sitting to their left, wearing casual clothes and a yellow work apron. He holds a shoemaker's hammer in his right hand, turned in the most recognisable profile angle, and in his left hand, he holds a finished ornamented leather boot – sapianets. Behind his back, on the left side of the wall, shoe lasts for boots and traditional woven shoes (postoly) are hanging, as well as other tools. In the middle of the artwork, on the right side, as if entering the studio from the street, there is a stylised group of people: three women, two men, and one unidentified person. It is difficult to state the time of the event because, despite the traditional costumes and archaic instruments used by the artist, in certain regions, such a scene could be observed both in the nineteenth century and in the 1970s. The colour scheme is harmonious and balanced, with cold tones predominating. The main accent is in the centre of the composition – a red leather boot (sapianets) with a bright yellow sole.
Legal regulation
Borys Voznytskyi Lviv National Art Gallery