The sketch belongs to a series that was executed in the murals of the Lviv Leather Enterprise (1980). Now the murals are lost. The composition is interpreted in the most abstract manner. The figures are part of a decorative background constructed from a series of saturated ultramarine patches with individual red, yellow, and purple splashes. The interpretation employed by the artist is exceptionally dynamic, transforming this large group of people (9 individuals) sitting in a circle and performing various technological manipulations, as well as two men stretching the leather during the production process, into a cohesive mechanism. The approach to depicting the figures suggests that the events occur in a non-urbanised setting (based on the stylistic elements and the type of cut of certain distinctive elements of ethnographic attire). This is most likely a depiction of a period before the mid-20th century. The sketch is also notable for its representation of modernist ideals, particularly the interpretation of the human body or, rather, the idea of who a person is in the context of society and professional interaction.