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Sketch for a Mural

Vasyl Poliovyi

  • Sketch for a Mural 2
  • Sketch for a Mural 3
Basic information
ID
Ж-8189
Author
Vasyl Poliovyi
Name
Sketch for a Mural
Date of creation
1970s (?)
Culture
Ukrainian art of the Soviet period
Technique
original technique
Material
fibreboard mixed media
Dimensions (height x width, cm)
40.4 x 30
Information about author
Author
Vasyl Poliovyi
Artist's lifetime
b.1936
Country
the USSR, the USA
Biography
Vasyl Poliovyi is a Ukrainian painter and graphic artist, one of the leading authors of Soviet Nonconformist art. He was born on April 22, 1936, in Kryvyi Rih city. The artist's father, Petro Poliovyi, worked as an engineer, and his mother, Oleksandra, was a mathematics teacher. With the start of hostilities on the territory of the USSR on June 22, 1941, the family was evacuated to the Sverdlovsk region (RSFSR). There Vasyl Poliovyi studied in school, and after completing his education in 1954, he entered an art school in Yelets. However, the artist later transferred to the Tavricheskaya Art School (Leningrad, RSFSR) and then to the Higher School of Industrial Art named after Vera Mukhina. After completing his studies, he moved to Moscow, where he worked at an art collective with his wife, artist Yuliia Podohova. He focused mainly on the monumental and decorative design of the interiors and the exteriors of public buildings and governmental institutions. At the same time, he was involved in the circle of nonconformist artists in Moscow and Leningrad, including Dmytro Krasnopevtsev, Anatolii Zverev, Mykhailo Shemiakin, Oleh Tselkov, Eduard Steinberg, Volodymyr Sterlihov, and the Lianozovo Group, as well as writers like Serhii Dovlatov, Yurii Mamleev, and Vladlen Gavrilchik. He participated in unofficial exhibitions, including those in the Federal Republic of Germany, France, Italy, and Czechoslovakia. In 1965, while visiting his brother, the researcher and inventor Renat Poliovyi, the artist created a large cycle of thematic works about Ukraine. Some of them were exhibited in Moscow. Later he joined the Artists' Union of the USSR. In 1972, Vasyl Poliovyi moved to Lviv, where he worked on monumental and easel paintings. During this period, he interacted with the local art community, including Valerii Shalenko, Mykhailo Steinberg, Yurii Sokolov, Okhrim Kravchenko, Margit and Roman Selsky, Anatolii Semahin, art critics Hryhorii Ostrovskyi and Dmytro Shelest, and writer Ihor Klekh. In 1976, Vasyl Poliovyi was expelled from the Artists' Union, which made his professional activity practically impossible. As a result, the artist decided to emigrate from the Soviet Union to the United States, where he still lives and works in Greenville, South Carolina.
Object description
The sketch is a project for a mural depicting technological achievements in the USSR and, above all, space exploration as a practical embodiment of the philosophical concept of cosmism. The approach to composition is distinctly influenced by monumental sacred art, reflected in the construction of the hierarchy of objects and the development of colour and tonal accents. The entire vertical of the composition is divided into three sections. In the central part, where the tholobate with a dome was supposed to be located in sacred architecture, there is a stylised depiction of the globe surrounded by a kind of light wreath, which also has distinct parallels with the concept of temple design. Above the image of the Earth is a full-length figure of an astronaut raising his right hand. This welcoming gesture iconographically echoes the gesture of blessing in Christian art. The background against which the figure of the astronaut is placed is partly abstract. However, stylised stars suggest that this figure in a spacesuit is captured against a stellar sky, but with such close intensity of radiance and proximity of these celestial bodies that are only possible in outer space. To the left of the central piece, there is a simultaneous combination of a rocket launch scene with distinctive light effects in the lower part. Above it, in the upper section, there is an image from space showing the manned section of a rocket module with a figure of a cosmonaut sitting at the control panel. To the right of the central part of the composition, in the lower section, a technological object is depicted, presumably associated with the rocket launch. Above it, in a separate section, there is a stylised group of people who cannot be identified by their clothing or other characteristics. This group of ten people may represent the forefront of a festive (welcoming) demonstration, followed by flags and/or slogans on large horizontal red banners (this is difficult to confirm given the lack of relevant textual inscriptions). Given the complex and rather solemn colouring combining warm and cool tones with expressive accents, a grand visual was created. Within this image, following principles close to hagiographic icons with its marginal scenes, there is an expanded description of the feat of human space exploration. Undoubtedly, this theme is central to the scientific and futuristic concept of cosmism.
Legal regulation
Borys Voznytskyi Lviv National Art Gallery