Renaissance artists often made preparatory drawings or sketches for paintings or parts of paintings. This small-scale artwork follows Leonardo da Vinci's "Madonna Litta". D'Oggiono studied in his studio, so the style and composition of this canvas reflect the artistic models he learned in his youth. The author strives to emulate Leonardo's technique. However, the anatomy is not rendered perfectly. The painting depicts Madonna holding and nursing a child. In the background, there is a wall with a window, the light from which falls on the viewer and makes the wall even darker. The window reveals a landscape in blue tones. Madonna's figure is enveloped in light.