The work is a sketch for the "Ruthenian Architects" series of murals by Vasyl Poliovyi and Yuliia Podohova in the Moscow House of Architects. The composition is probably dedicated to the construction of the Cathedral of the Intercession of the Most Holy Theotokos on the Moat (unofficially known as the Cathedral of St. Basil, 1555–1561). On the right side is a hierarchically enlarged figure of the architect or the figure of Ivan IV Vasilievich. The figure is depicted in an outfit corresponding to the cut of men's clothes, especially caftans of the mid-16th century. Taking into account the age and social gradations of the time, the figure is relatively young, albeit with some age-related changes (severe hair loss), and of mixed ethnicity (cut of eyes, shape of nose, type of cheekbones), which also corresponds to the ethnic origin of Ivan IV, whose mother, Yelena Hlynska, was partly of Asian descent. This character is holding a plant in his right hand, probably a plumeless thistle (Latin: Carduus) or cotton thistle (Latin: Onopordum acanthium), and a model of the cathedral in his left (the image corresponds to historical descriptions before reconstruction, in particular, the miniature of the "Certified Charter Confirming the Election of Mikhail Fedorovich Romanov as Tsar of Moscow State", 1672–1673). The left side shows the construction process and depicts four characters – anonymous and highly generalised figures of builders with their backs to the viewer. The composition's colour is cold, with some warm elements, and the approach to form is monumental, given the purpose.