Original and versatile, based on the affirmation of the intrinsic value of the artistic form, Zenovii Flinta's creative work is imbued with philosophical reflections, the search for the eternal in the transient; it is full of Post-Impressionist echoes. One of the symbolic images in the master's landscapes, in particular, "Autumn in the Carpathians", are mountains associated with the binary oppositions of "near–far", "top–bottom", and "sky–earth". The figurative structure of the landscape was shaped by the perception of the mountain as a place that unites heaven, earth, and the other world, as well as the divine and the human, as recorded in folk cosmogony. The juxtaposition of the lifelong cycle of nature and the microcosm of the Carpathian gardens gave the work its meaning. The lowered horizon line became an artistic means of embodying the idea, emphasising the majesty of the seemingly spiritual, eternal mountain peaks. The "horizon of earthly existence" was visualised by a rhythmic line of fences and a series of elegant farmsteads. The drama of nature's disappearance was reflected in heavy grey clouds, ominous black shadows, green stillness, and flashes of crimson and ochre.