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Allegorical Figure of the Prisoner

Franciszek Oledzki

  • Allegorical Figure of the Prisoner 1
  • Allegorical Figure of the Prisoner 2
  • Allegorical Figure of the Prisoner 3
  • Allegorical Figure of the Prisoner 4
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  • Allegorical Figure of the Prisoner 7
  • Allegorical Figure of the Prisoner 8
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  • Allegorical Figure of the Prisoner 10
  • Allegorical Figure of the Prisoner 11
  • Allegorical Figure of the Prisoner 12
  • Allegorical Figure of the Prisoner 13
  • Allegorical Figure of the Prisoner 14
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  • Allegorical Figure of the Prisoner 20
  • Allegorical Figure of the Prisoner 21
  • Allegorical Figure of the Prisoner 22
  • Allegorical Figure of the Prisoner 23
  • Allegorical Figure of the Prisoner 24
  • Allegorical Figure of the Prisoner 1
  • Allegorical Figure of the Prisoner 2
  • Allegorical Figure of the Prisoner 3
  • Allegorical Figure of the Prisoner 4
  • Allegorical Figure of the Prisoner 5
  • Allegorical Figure of the Prisoner 6
  • Allegorical Figure of the Prisoner 7
  • Allegorical Figure of the Prisoner 8
  • Allegorical Figure of the Prisoner 9
  • Allegorical Figure of the Prisoner 10
  • Allegorical Figure of the Prisoner 11
  • Allegorical Figure of the Prisoner 12
  • Allegorical Figure of the Prisoner 13
  • Allegorical Figure of the Prisoner 14
  • Allegorical Figure of the Prisoner 15
  • Allegorical Figure of the Prisoner 16
  • Allegorical Figure of the Prisoner 17
  • Allegorical Figure of the Prisoner 18
  • Allegorical Figure of the Prisoner 19
  • Allegorical Figure of the Prisoner 20
  • Allegorical Figure of the Prisoner 21
  • Allegorical Figure of the Prisoner 22
  • Allegorical Figure of the Prisoner 23
  • Allegorical Figure of the Prisoner 24
Basic information
ID
С-I-1113
Author
Franciszek Oledzki
Name
Allegorical Figure of the Prisoner
Date of creation
1780s
Country
Ukraine
Technique
carving
Material
wood
Dimensions
131 x 55 x 52 cm (height x width x depth)
Additionally
Type
sculpture
Genre
allegory
Plot
Allegory
Provenance
Berestechko town, Horokhiv district, Volyn region, Church of the Holy Trinity of the Trinitarians
Information about author
Author
Franciszek Oledzki
Author in the original
Franciszek Olędzki
Artist's lifetime
c. 1745–1792
Country
Polish-Lithuanian Commonwealth, now Ukraine
Biography
Franciszek Oledzki was a Lviv sculptor of the second half of the eighteenth century. There are not enough documented works about the artist. His creative activity dates between 1760 and 1792. The author worked with various materials: limestone, marble, stucco, wood (linden was the primary material) and mostly carved round sculptures. Since the 1770s, Oledzki worked in Lviv: he performed stained glass works in the Latin Cathedral (from June 14, 1773 to November 4, 1779, he worked on four altars, a throne for the bishop, and various ornaments); in the Dormition Church, the artist made an iconostasis; in the Church of St. Mary Magdalene, he carved an altar with figures of saints. In addition to Lviv, Franciszek Oledzki worked in Berestechko, Buchach, and Lopatyn. In 1774, he signed an agreement with the superior of the Dominican monastery in Pidkamin to perform sculptural works. A characteristic feature of the sculptor's work is the figures' expressive poses and dynamic gestures – his angels seem to be flying in the sky. The professionalism of the master is felt in the filigree facial features, movements of the depicted figures, and peculiar curls of their hair.
Object description
The sculpture of a man is made in a full-length sitting position. The artist skilfully reproduced the exhausted body of the prisoner – the tension is felt in every curve. The man's head is turned to the right, bowed on his chest. Strands of wavy hair, reproduced in an original manner, fall on a high forehead, smoothly turning into a straight nose. The prisoner's face is characterised by the typical face form of Oledzki's works; his nose is slightly protruding, his forehead is high, and his almond-shaped eyes bulge with drooping eyelids. The closed lips are framed by a beard that falls on the protruding chest. The image of pain and suffering froze on the man's face. The sculptor depicted him with muscular arms behind his back, ribs protruding from under the skin, and a sunken abdominal cavity. The prisoner's body is wrapped with a drapery permeated with dynamic refracted lines of folds. The external effect prevails in plasticity, which is felt in the figure's pose and the theatricality of the movement.
Legal regulation
Borys Voznytskyi Lviv National Art Gallery

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