Working in the Field

Yaroslava Muzyka

  • Working in the Field 2
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Basic information
ID
ФМз-Г-IV-96
Author
Yaroslava Muzyka
Name
Working in the Field
Country
the USSR
Technique
linocut
Material
paper
Dimensions (height x width, cm)
70 x 23
Additionally
Information about author
Author
Yaroslava Muzyka
Artist's lifetime
1894–1973
Country
Austro-Hungarian Empire, the Ukrainian SSR, now Ukraine
Biography
Yaroslava Muzyka (Stefanovych) was born in Zaliztsi in Ternopil region on January 10, 1894. She died on November 24, 1973, in Lviv. She was an artist of diverse preferences and talent. She turned to graphic art – linocuts, woodcuts, drypoint, monotype; painting – oil, tempera, gouache, encaustic; mosaic and enamel, on glass, grattage on gold or silver foil, batik, embossing on leather, embossing on metal. She studied drawing and painting at Leonard Podhorodecki Free Academy of Fine Arts in Lviv and André Lhote Academy in Paris. In 1928, she trained as an art restorer at the Central State Restoration Workshop of Ihor Grabar in Moscow. She also worked at the National Museum in the restoration workshop. Yaroslava Muzyka was one of the founders of the Association of Independent Ukrainian Artists (AIUA), a Ukrainian public art organization that operated in Lviv from 1931–1939. In 1937, the artist learned the difficult technique of burning enamel objects by attending Mariia Dolnytska classes in Lviv. In addition, she studied on her own using French and German enamelling manuals. The artist worked in the technique of bulk (scenic, painted) and cloisonne enamel. Her favourite subjects in the enamel works were Hutsul demonology, pagan mythology, beliefs of ancient Slavs, the works by Taras Shevchenko, images of animals, and female portraits.
Object description
The image depicts a black-and-white print in the centre of the sheet. In the foreground, two working women are portrayed. An older woman dressed in black leaned to the right and wrapped both hands around the sheaf. To her left, a young woman wearing a white apron holds a rake. Behind them, on the field, one can see stacked sheaves. The sky with clouds in horizontal hatching is depicted above the field.
Inscriptions
Below the imprint at the right is an inscription in pencil: "Muz.57". On the reverse side at the top a horizontal image is glued; it is performed in ink in the form of a vignette with plant motifs. In the centre is a colour image of a mountain landscape. Above the composition is an inscription in pencil: "Y. Muzyka. ‘Working in the Field’ No. 445".
Legal regulation
Borys Voznytskyi Lviv National Art Gallery