Collection of Ethnographic Drawings

Kajetan Kielisinski

  • Collection of Ethnographic Drawings 2
Basic information
ID
Г-V-424_148
Author
Kajetan Kielisinski
Name
Collection of Ethnographic Drawings
Country
Kingdom of Poland
Culture
Modern times
Technique
drawing
Material
pencil
Additionally
Information about author
Author
Kajetan Kielisinski
Artist's lifetime
1808–1849
Country
Duchy of Warsaw, Kingdom of Poland
Biography
Kajetan Wincenty Kielisiński (7 August 1808 – 2 January 1849) was a Polish graphic artist, illustrator, librarian, engraver, and draughtsman. He was born into the family of court official Kazper and Katarzyna, née Kleska. He studied at Warsaw University and drew under Jan Feliks Piwarski. After the outbreak of the November Uprising (1830–1831), he interrupted his art studies. He took part in the fighting in 1831, serving as a second lieutenant, and after the uprising was suppressed, he was unable to return to Warsaw. He lived in Kraków for some time, and from 1834 to 1839, he was the curator of the collections of H. Pawlikowski (a collector and bibliophile) in Medyka, where he honed his engraving skills, hoping to continue his studies in Vienna. From 1839, he worked as a librarian and curator of art collections for Tytus Działyński, a public and political figure, patron of the arts, and publisher of historical sources, in Oleszyce near Lubaczów, and from January 1840 in Kurnyk. In 1847, he published the "Catalogue of the Double Collections of Count Działyński's Library". Shortly before his death, he married Apollonia, née Gostynska. He died suddenly on 2 January 1849. K. W. Kielisiński's creative legacy includes about 1,000 watercolours, sketches, drawings of folk types, genre scenes, folk costumes, military uniforms, and landscapes, commissioned by W. Dzieduszycki, T. Działyński, and H. Pawlikowski. During his travels to various localities, he collected graphic materials for the publications "Polish Antiquities" and "Folk Costumes". In 1855, Poznań publisher Jan Konstanty Żupanski published "The Kielisiński's Album", which collected the artist's scattered works. The works of K. W. Kielisiński, signed KWK or KIK, are kept in museums in Krakow, Poznan, Warsaw, Wroclaw, the Borys Voznytskyi Lviv National Art Gallery, and the libraries of Warsaw and Jagiellonian Universities.
Object description
Kajetan Wincenty Kielisiński created numerous etchings and drawings devoted to folklore, life in Polish villages and towns, historical monuments, and landscapes. He was one of the first to develop bookplates in Poland. During his travels to various locations, he collected graphic materials for the publications "Polish Antiquities" and "Folk Costumes". In 1855, Poznań publisher Jan Konstanty Żupanski published "Kielisiński's Album", which collected the artist's scattered works. Kielisiński's graphic works, drawings, sketchbooks, and correspondence were kept in the Kórnik Library of the Polish Academy of Sciences, as well as in national museums (Kraków, Poznań, Warsaw) and renowned libraries (Jagiellonian University, Ossolineum, Warsaw University). The painting depicts a woman who can be identified as a member of the nobility. The figure stands facing the viewer, her head and torso slightly turned to the left, her hands lowered in front of her and clasped together. The head and gaze are lowered, clearly demonstrating a depressed and gloomy state. Her facial features and expression also convey sadness and fatigue. The woman is dressed in a floor-length gown, her long, slightly curly hair is gathered into a wreath and falls freely past her shoulders, and she wears a necklace. The belt and collar are decorated with small embellishments, possibly embroidered elements. The figure's background is a landscape with natural vegetation – trees and bushes – and small hills on the horizon. The figure herself is standing on a dirt road. It is clear that the woman is depicted in a moment of sadness or hardship. The artistic value of the drawing lies in its documentary and ethnographic accuracy in depicting the historical costume: the author sought to capture the details of the clothing and social image, rather than the individual features of the person.
Legal regulation
Borys Voznytskyi Lviv National Art Gallery