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Collection of Ethnographic Drawings

Kajetan Kielisinski

  • Collection of Ethnographic Drawings 2
Basic information
ID
Г-V-424_132
Author
Kajetan Kielisinski
Name
Collection of Ethnographic Drawings
Country
Kingdom of Poland
Culture
Modern times
Technique
drawing
Material
pencil
Additionally
Information about author
Author
Kajetan Kielisinski
Artist's lifetime
1808–1849
Country
Duchy of Warsaw, Kingdom of Poland
Biography
Kajetan Wincenty Kielisiński (7 August 1808 – 2 January 1849) was a Polish graphic artist, illustrator, librarian, engraver, and draughtsman. He was born into the family of court official Kazper and Katarzyna, née Kleska. He studied at Warsaw University and drew under Jan Feliks Piwarski. After the outbreak of the November Uprising (1830–1831), he interrupted his art studies. He took part in the fighting in 1831, serving as a second lieutenant, and after the uprising was suppressed, he was unable to return to Warsaw. He lived in Kraków for some time, and from 1834 to 1839, he was the curator of the collections of H. Pawlikowski (a collector and bibliophile) in Medyka, where he honed his engraving skills, hoping to continue his studies in Vienna. From 1839, he worked as a librarian and curator of art collections for Tytus Działyński, a public and political figure, patron of the arts, and publisher of historical sources, in Oleszyce near Lubaczów, and from January 1840 in Kurnyk. In 1847, he published the "Catalogue of the Double Collections of Count Działyński's Library". Shortly before his death, he married Apollonia, née Gostynska. He died suddenly on 2 January 1849. K. W. Kielisiński's creative legacy includes about 1,000 watercolours, sketches, drawings of folk types, genre scenes, folk costumes, military uniforms, and landscapes, commissioned by W. Dzieduszycki, T. Działyński, and H. Pawlikowski. During his travels to various localities, he collected graphic materials for the publications "Polish Antiquities" and "Folk Costumes". In 1855, Poznań publisher Jan Konstanty Żupanski published "The Kielisiński's Album", which collected the artist's scattered works. The works of K. W. Kielisiński, signed KWK or KIK, are kept in museums in Krakow, Poznan, Warsaw, Wroclaw, the Borys Voznytskyi Lviv National Art Gallery, and the libraries of Warsaw and Jagiellonian Universities.
Object description
Kajetan Wincenty Kielisiński created numerous etchings and drawings devoted to folklore, life in Polish villages and towns, historical monuments, and landscapes. He was one of the first to develop bookplates in Poland. During his travels to various locations, he collected graphic materials for the publications "Polish Antiquities" and "Folk Costumes". In 1855, Poznań publisher Jan Konstanty Żupanski published "Kielisiński's Album", which collected the artist's scattered works. Kielisiński's graphic works, drawings, sketchbooks, and correspondence were kept in the Kórnik Library of the Polish Academy of Sciences, as well as in national museums (Kraków, Poznań, Warsaw) and renowned libraries (Jagiellonian University, Ossolineum, Warsaw University). The picture shows a young man standing in full height against the backdrop of a mountain landscape, surrounded by rocks and bushes. This scene can obviously be considered a documentary sketch from the author's expeditions. The young man is dressed in simple travelling clothes of that time: a wide-brimmed hat, a jacket, trousers, and shoes with buckles, girded with a wide belt. Behind him, on a stick supported by his right hand, he carries folded clothes or a knapsack, and a bag hangs over his shoulder. In his left arm, bent at the elbow, he holds a pipe of a characteristic Hutsul shape. His figure is calm and confident, his face smiling, creating the image of a carefree and free traveller. The character's posture indicates that he is in motion, walking along his route, and the author has captured this very moment. The image is executed using the technique of pencil on paper in graphic art. The artist skilfully conveyed the texture of clothing, fabric folds, facial expressions, and details of the natural environment. The composition is balanced, emphasising the figure of the traveller as the main character of the image. The artistic value lies in the realistic yet romanticised image of the traveller as a symbol of freedom, global knowledge, and worldview searches. The drawing has documentary significance, as it conveys the features of travelling clothes and attributes of travellers of that time, as well as aesthetic value thanks to the clarity of lines, proportionality, and atmosphere.
Legal regulation
Borys Voznytskyi Lviv National Art Gallery