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Panorama of Lviv

Odo Dobrowolski

Basic information

ID: Г-IV-5167
Author: Odo Dobrowolski
Name: Panorama of Lviv
Date of creation: 1915
Technique: colour autolithography
Material: imprint on paper
Dimensions (height x width, cm): 30.2 x 41.3

Additionally

Type: printmaking
Genre: landscape

Information about author

Author: Odo Dobrowolski
Artist's lifetime: 1883–1917
Country: Austro-Hungarian Empire
Biography: Odo (Otton) Dobrowolski (1883, Chernivtsi – 1917, Kyiv) was a Lviv artist of Polish–German origin, primarily known as a master of graphic art and lithography, as well as an exceptional watercolourist and pastellist.
He was born into the family of Józef Dobrowolski, an official at the Austrian governorship of the Kingdom of Galicia and Lodomeria, and Eugenia Wittich. The artist was likely named after Otto the Great, the first emperor of the Holy Roman Empire. After graduating from a gymnasium in Lviv, in the mid-1900s he studied in Kraków as a non-degree student at the Academy of Fine Arts.
Between 1908 and 1909, thanks to the support of the painter Jan Styka, Dobrowolski lived in Paris, followed by a brief stay in Munich. Upon returning to Lviv, between 1909 and 1910, the artist executed an oil decorative panel for the confectionery of Gabriela Zapolska – a famous playwright, actress, and one of the most prominent figures of the local bohemian elite. In 1911–1912, he worked in Paris once again. Following his return to Lviv, during the Russian occupation of the city during the First World War, he created a highly popular series of ten lithographs.
In June 1915, alongside the retreating Russian forces, the artist departed for Kyiv, where in 1917 the 34-year-old master died under unresolved circumstances.
The creative heritage of Odo Dobrowolski encompasses numerous cityscapes featuring views of Lviv and Paris, alongside portraits, interior sketches, and nature studies. His works are held in Borys Voznytskyi Lviv National Art Gallery, the National Museum in Kraków, the National Library and the Jewish Historical Institute in Warsaw, as well as in private collections.

Object description

One of ten works from a lithographic series depicting views of Lviv, created during the russian occupation in the winter of 1915. The artist sketches the view from the attic of the Lilien House at the corner of present-day Pamvo Berynda Street and Svobody Avenue. The building housed the “Kordian” photography studio – it is highly likely that the artist used a photograph taken there to create the autolithograph. The artist presents the city panorama in dark, sombre tones against a grey sky, touched at its upper edge by the rays of the setting sun. Above the snow-covered rooftops in the foreground to the right rises the tower of the Latin Cathedral; in the distance, the Town Hall tower, the Korniakt Tower, and the dome of the Dominican Church can be seen. In the centre of the composition, on the far side, the Church of the Discalced Carmelites stands out as a yellowish patch.

Inscriptions

In the lower right corner are the author's signature and date, "Odo Dobrowolski / 915", written in italics.

Legal regulation

Borys Voznytskyi Lviv National Art Gallery

Panorama of Lviv

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