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Collection of Ethnographic Drawings

Kajetan Kielisinski

  • Collection of Ethnographic Drawings 2
Basic information
ID
Г-V-424_138
Author
Kajetan Kielisinski
Name
Collection of Ethnographic Drawings
Country
Kingdom of Poland
Culture
Modern times
Technique
drawing
Material
pencil
Additionally
Information about author
Author
Kajetan Kielisinski
Artist's lifetime
1808–1849
Country
Duchy of Warsaw, Kingdom of Poland
Biography
Kajetan Wincenty Kielisiński (7 August 1808 – 2 January 1849) was a Polish graphic artist, illustrator, librarian, engraver, and draughtsman. He was born into the family of court official Kazper and Katarzyna, née Kleska. He studied at Warsaw University and drew under Jan Feliks Piwarski. After the outbreak of the November Uprising (1830–1831), he interrupted his art studies. He took part in the fighting in 1831, serving as a second lieutenant, and after the uprising was suppressed, he was unable to return to Warsaw. He lived in Kraków for some time, and from 1834 to 1839, he was the curator of the collections of H. Pawlikowski (a collector and bibliophile) in Medyka, where he honed his engraving skills, hoping to continue his studies in Vienna. From 1839, he worked as a librarian and curator of art collections for Tytus Działyński, a public and political figure, patron of the arts, and publisher of historical sources, in Oleszyce near Lubaczów, and from January 1840 in Kurnyk. In 1847, he published the "Catalogue of the Double Collections of Count Działyński's Library". Shortly before his death, he married Apollonia, née Gostynska. He died suddenly on 2 January 1849. K. W. Kielisiński's creative legacy includes about 1,000 watercolours, sketches, drawings of folk types, genre scenes, folk costumes, military uniforms, and landscapes, commissioned by W. Dzieduszycki, T. Działyński, and H. Pawlikowski. During his travels to various localities, he collected graphic materials for the publications "Polish Antiquities" and "Folk Costumes". In 1855, Poznań publisher Jan Konstanty Żupanski published "The Kielisiński's Album", which collected the artist's scattered works. The works of K. W. Kielisiński, signed KWK or KIK, are kept in museums in Krakow, Poznan, Warsaw, Wroclaw, the Borys Voznytskyi Lviv National Art Gallery, and the libraries of Warsaw and Jagiellonian Universities.
Object description
Kajetan Wincenty Kielisiński created numerous etchings and drawings devoted to folklore, life in Polish villages and towns, historical monuments, and landscapes. He was one of the first to develop bookplates in Poland. During his travels to various locations, he collected graphic materials for the publications "Polish Antiquities" and "Folk Costumes". In 1855, Poznań publisher Jan Konstanty Żupanski published "Kielisiński's Album", which collected the artist's scattered works. Kielisiński's graphic works, drawings, sketchbooks, and correspondence were kept in the Kórnik Library of the Polish Academy of Sciences, as well as in national museums (Kraków, Poznań, Warsaw) and renowned libraries (Jagiellonian University, Ossolineum, Warsaw University). The picture depicts two young people, a young man and a girl, dressed in traditional peasant festive attire. This is a scene from folk life, probably related to winter rituals, in particular, carolling. On the left stands a young man dressed in a long, festive shirt and trousers, with a belt around his waist. On his head is a tall hat decorated with feathers, similar to those worn during ritual ceremonies. In his hands, he holds a long stick or pole with a flag, ribbons, and a twig, possibly with viburnum or periwinkle – the attributes of a kolyadnyk (Christmas caroler) or a shchedruvalnyk (New Year’s caroler). On the right is a girl wearing a long, warm festive dress and a kozhukh (traditional Ukrainian fur coat). She has a headscarf or an ochipok on her head – a traditional female headdress. She looks festive, wearing jewellery, probably a necklace, although this is not detailed. The girl is leaning slightly towards the young man, as if listening or saying something. With her right arm bent at the elbow and raised to waist level, she is gesturing towards her companion. The figures are placed side by side, forming a kind of couple. Both are standing upright and looking at each other; their facial expressions are open, and the girl is smiling slightly. The characters are most likely in a village yard, as indicated by the lightly outlined space in front of the fence. The scene probably symbolises folk Christmas traditions, in particular carolling. The young man with the flag serves as the leader of the carollers or as a symbolic figure in a ritual drama. The girl is obviously also participating in the action or simply accompanying it. The graphics are executed with clear, thin lines, with attention to detail in the clothing, but without excessive artistic realism. The image has ethnographic and festive-ritual value. It conveys the atmosphere of winter holidays in the village – with warmth, attention to folk costumes and traditions. Its artistic significance lies in the accurate and detailed reproduction of folk costumes, making it a valuable source for research and study of traditional culture. From an aesthetic point of view, we are dealing with a realistic drawing, with a special emphasis on its documentary nature.
Legal regulation
Borys Voznytskyi Lviv National Art Gallery