Sketch for the "Harvest Festival" Mural

Vasyl Poliovyi

Basic information

ID: Г-II-339
Author: Vasyl Poliovyi
Name: Sketch for the "Harvest Festival" Mural
Date of creation: 1970s (?)
Country: the USSR
Culture: Ukrainian art of the Soviet period
Technique: mixed technique
Material: cardboard pastel
Dimensions (height x width, cm): 107.5 x 83.5

Additionally

Type: graphic art
Genre: symbolic art
Provenance: Handed over to the museum from Vasyl Poliovyi

Information about author

Author: Vasyl Poliovyi
Artist's lifetime: b.1936
Country: the USSR, the USA
Biography: Vasyl Poliovyi is a Ukrainian painter and graphic artist, one of the leading authors of Soviet Nonconformist art. He was born on April 22, 1936, in Kryvyi Rih city. The artist's father, Petro Poliovyi, worked as an engineer, and his mother, Oleksandra, was a mathematics teacher. With the start of hostilities on the territory of the USSR on June 22, 1941, the family was evacuated to the Sverdlovsk region (RSFSR). There Vasyl Poliovyi studied in school, and after completing his education in 1954, he entered an art school in Yelets. However, the artist later transferred to the Tavricheskaya Art School (Leningrad, RSFSR) and then to the Higher School of Industrial Art named after Vera Mukhina. After completing his studies, he moved to Moscow, where he worked at an art collective with his wife, artist Yuliia Podohova. He focused mainly on the monumental and decorative design of the interiors and the exteriors of public buildings and governmental institutions. At the same time, he was involved in the circle of nonconformist artists in Moscow and Leningrad, including Dmytro Krasnopevtsev, Anatolii Zverev, Mykhailo Shemiakin, Oleh Tselkov, Eduard Steinberg, Volodymyr Sterlihov, and the Lianozovo Group, as well as writers like Serhii Dovlatov, Yurii Mamleev, and Vladlen Gavrilchik. He participated in unofficial exhibitions, including those in the Federal Republic of Germany, France, Italy, and Czechoslovakia. In 1965, while visiting his brother, the researcher and inventor Renat Poliovyi, the artist created a large cycle of thematic works about Ukraine. Some of them were exhibited in Moscow. Later he joined the Artists' Union of the USSR. In 1972, Vasyl Poliovyi moved to Lviv, where he worked on monumental and easel paintings. During this period, he interacted with the local art community, including Valerii Shalenko, Mykhailo Steinberg, Yurii Sokolov, Okhrim Kravchenko, Margit and Roman Selsky, Anatolii Semahin, art critics Hryhorii Ostrovskyi and Dmytro Shelest, and writer Ihor Klekh. In 1976, Vasyl Poliovyi was expelled from the Artists' Union, which made his professional activity practically impossible. As a result, the artist decided to emigrate from the Soviet Union to the United States, where he still lives and works in Greenville, South Carolina.

Object description

The sketch is part of a thematic series dedicated to agriculture. In this composition, the artist focused on capturing the temporal context, including the specific clothing of the characters and symbolic traces of the presence of space technology (in the background, there are two condensation marks from unidentified aircraft, possibly a Soviet ballistic missile R–5, and a satellite, probably PS–1). The composition is asymmetric and executed in a decorative manner, using localised patches complemented by detailed foreground elements. The artwork is predominantly rendered in warm tones (shades of ochre, cadmium and earthy hues), while the background features a cool ultramarine sky tone. Overall, the colour scheme is harmonious and creates an optimistic mood. A mountainous area with rows of haystacks covers the majority of the work. In the foreground, three stylised female figures are depicted, arranged diagonally. Two of the women are wearing short calico dresses. The character in the centre is holding a rectangular rake with short tines. The person on the left side holds a trident and a pitchfork, which she uses to stack piles of dry grass on the mowing. The woman on the far right stands with an arched rake with short tines. She is dressed in a blue work jumpsuit and headscarf. This type of attire likely indicates that she is a machine operator (possibly a tractor driver). The characters' facial expressions are stylised and neutral.

Legal regulation

Borys Voznytskyi Lviv National Art Gallery

Sketch for the "Harvest Festival" Mural

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