The work belongs to the series of sketches for the mural "Ruthenian Architects", where the author's reflections on the architecture of the future appear alongside images of the present. By the general characteristics, the sketch is executed in a harmonious warm colour palette with some tonal accents. The left part of the composition conventionally denotes time, containing not only the history of the buildings but also the way people transform the landscape with bridges and industries. Additionally, the motifs of trees were introduced, combined with architectural objects, to create a comprehensive image of new cities. The figures of the three architects in the left part are hierarchically larger than the builders in the centre. The style of clothing and the interpretation of the figures suggests that this is a kind of "collective portrait" of young generation designers working for the state bureau. The composition's central part with the builders' figures conveys a story of radically new approaches to constructing buildings. The use of metal structures made with electric welding or assembled in other ways allows us to imagine what the future temple city will look like. The right part of the composition is dedicated to envisioning the future of architecture, taking on a complex yet harmonious form. It is difficult to visually determine the materials used by the builders of this new, possibly 21st-century. However, the entirety of the image, the emphasis on abundant light, and the unique interplay of colours and tonal ratios suggest that the idea of architecture as a marvellous "frozen music" will still prevail there.