This work is from the Roman series. The first version of the composition is known from the album Raccolta di Cinquanta Costumi Pittoreschi (Collection of Fifty Picturesque Costumes), published in 1809. The architectural background and clothing of the first version of the composition are worked out in more detail in contrast to the Lviv engraving. The second version of the composition is known from the album Costumi di Tivoli, published in 1815. In that engraving, new characters appeared, and the architectural background was presented differently. A variant similar to the Lviv one was issued in the album Nuova Raccolta di Cinquanta Costumi Pittoreschi (New Collection of Fifty Picturesque Costumes) published by Giovanni Scudellari in Rome in 1817. The Lviv engraving belongs to the third simplified version, in which less attention is paid to details. In the composition's foreground, one can see a young woman sitting in a chair in the centre and lifting a swaddled baby, joyfully opening its arms in front of the mother's face. Two young men dressed in traditional clothing (wide-brimmed hats, jackets, vests, knee-length pants, stockings, and shoes with overlays) look carefully at a happy woman (apparently their wife and sister). A very young girl is standing distantly on the left. The walls of the buildings outline the composition, and its background is the crowns of trees and the mountain top in the distance. The images of the walls are complemented by a fragment of a door on the left and a cut tree stump on the right. The characters' clothes are painted with bright watercolours, namely red, blue, yellow, and pink. The background is depicted in blurred blue and green tones.
Tivoli is a city in the Lazio region northwest of Rome. It is known for remnants of ancient architecture.