The work is from the Neapolitan series. The first known version of the engraving was dated 1814. The composition that is similar to the Lviv one but presented in a square frame is known from the album Raccolta di Cinquanta Costumi li più interresanti delle città, terre e paesi in provinci diverse del Regno di Napoli (Collection of Fifty Most Interesting Picturesque Costumes from Cities, Towns and Villages of Different Provinces of the Kingdom of Naples) published in Rome in 1814 (engravings were reissued in rectangular frames in the Roman editions of the album in 1816 and 1817). In the foreground, in the centre, one can see a salesman, a long-haired young man. He is cutting a branch from a cluster of nuts hanging from a twig on a high stick for the girl with a wide knife. The young man wears an orange jacket, yellow knee-length trousers, and white stockings. Black shoes with overlays are on his feet, a black hat is on his head, and a purse is on his belt. A girl with her hand stretched out to the nuts is depicted right next to him. She is dressed in a Neapolitan yellow and blue vest and crimson skirt. There are sandals on her feet. On the left, there is a young man, the girl's companion, sitting barefoot on the ground and watching what is happening. He wears a red vest over a white shirt and short blue trousers. In the background, on the left, there is a basilica-type temple with a dome and a tower behind a row of trees with spreading crowns. In the distance, there is the blue peak of Vesuvius. The young man might be selling hazelnuts, which have been cultivated in Campania since Roman times but became widely spread only during the reign of the Bourbons in the 18th–19th centuries.