The artwork belongs to a series of landscapes that combine the results of extensive study of real space with constructing a landscape image, essentially a mythopoetic archetypal generalisation. The complex colour scheme, which combines cold and warm tones, the use of metallic pigments and the approach to styling contribute to forming a somewhat detached and mystical image. It simultaneously contains recognizability and a clear connection to the prototype while having a surrealist undertone. The latter is enhanced by the specific composition of the group of two mountains in the background in the left part of the painting. The alternation of massive and monumental parts, detailed fragments, and the deliberate desolation of the landscape play a significant role in forming the figurative and emotional structure. Equally significant in this sense is the author's approach to lighting, which complicates the identification of the time of day and appears to depict twilight or dusk. In the artwork, Vasyl Poliovyi appears not only as an experimental painter but as an explorer of how a person perceives the landscape and how it can become a reflection of them.