The composition is known in two variants. The first one is for the album Raccolta di cinquanta costumi pittoreschi (Collection of fifty picturesque costumes engraved in strong water) published in Rome in 1809, which depicts a group of people with a horse walking along a mountain path between boulders in the strong wind. The second version from the album Nuova Raccolta di Cinquanta costumi pittoreschi incisi di acqua forte published in Rome in 1815, which was replicated in 1817, is simpler – it depicts a family, a man with a child and a woman on a donkey, who are walking forward despite the strong wind. The Lviv composition dated 1816 is a simplified version of the second variant. The drawing is not as detailed as in the engraving from the album dated 1815. The author pays more attention to the color contrasts of the man’s blue cloak and the red skirt of a young woman sitting on a tired donkey. The woman is covering the headscarf with one hand; the other hand is on the basket. Their son, a plump and barefoot boy in short knee-length yellow pants, is hiding behind the dad. The action is taking place on the top of a mountain. Close to the characters, there is just a low tree bending down in the strong wind.