Sketch for the "Elements" Mural

Vasyl Poliovyi

  • Sketch for the "Elements" Mural 2
  • Sketch for the "Elements" Mural 3
Basic information
ID
Ж-8187
Author
Vasyl Poliovyi
Name
Sketch for the "Elements" Mural
Country
the USSR
Culture
Ukrainian art of the Soviet period
Technique
mixed technique
Material
cardboard tempera
Dimensions (height x width, cm)
24.5 x 45.5
Information about author
Author
Vasyl Poliovyi
Artist's lifetime
b.1936
Country
the USSR, the USA
Biography
Vasyl Poliovyi is a Ukrainian painter and graphic artist, one of the leading authors of Soviet Nonconformist art. He was born on April 22, 1936, in Kryvyi Rih city. The artist's father, Petro Poliovyi, worked as an engineer, and his mother, Oleksandra, was a mathematics teacher. With the start of hostilities on the territory of the USSR on June 22, 1941, the family was evacuated to the Sverdlovsk region (RSFSR). There Vasyl Poliovyi studied in school, and after completing his education in 1954, he entered an art school in Yelets. However, the artist later transferred to the Tavricheskaya Art School (Leningrad, RSFSR) and then to the Higher School of Industrial Art named after Vera Mukhina. After completing his studies, he moved to Moscow, where he worked at an art collective with his wife, artist Yuliia Podohova. He focused mainly on the monumental and decorative design of the interiors and the exteriors of public buildings and governmental institutions. At the same time, he was involved in the circle of nonconformist artists in Moscow and Leningrad, including Dmytro Krasnopevtsev, Anatolii Zverev, Mykhailo Shemiakin, Oleh Tselkov, Eduard Steinberg, Volodymyr Sterlihov, and the Lianozovo Group, as well as writers like Serhii Dovlatov, Yurii Mamleev, and Vladlen Gavrilchik. He participated in unofficial exhibitions, including those in the Federal Republic of Germany, France, Italy, and Czechoslovakia. In 1965, while visiting his brother, the researcher and inventor Renat Poliovyi, the artist created a large cycle of thematic works about Ukraine. Some of them were exhibited in Moscow. Later he joined the Artists' Union of the USSR. In 1972, Vasyl Poliovyi moved to Lviv, where he worked on monumental and easel paintings. During this period, he interacted with the local art community, including Valerii Shalenko, Mykhailo Steinberg, Yurii Sokolov, Okhrim Kravchenko, Margit and Roman Selsky, Anatolii Semahin, art critics Hryhorii Ostrovskyi and Dmytro Shelest, and writer Ihor Klekh. In 1976, Vasyl Poliovyi was expelled from the Artists' Union, which made his professional activity practically impossible. As a result, the artist decided to emigrate from the Soviet Union to the United States, where he still lives and works in Greenville, South Carolina.
Object description
The sketch has an unmistakable resonance with the themes and imagery of Ж-8185. It is probably dedicated to studying both the upper atmosphere and the depths of space, which were among the key ideological blocks for the Soviet Union. The left part of the work depicts the general silhouette of a researcher holding stylised images of the celestial bodies (it should be noted that the formal approach is related to iconographic practices, in particular, the symbolic representation of the sun and moon from the Crucifixion scene). The figure itself seems to be standing on a starry road, which is probably a reference to a popular song with words by the Soviet poet and writer, and later dissident and political exile, Volodymyr Voinovych: "I believe, friends, caravans of rockets / Will hurry us forward from star to star / On the dusty paths of the planets / Our footprints will remain" (1960–1961). The pathos of the scene unfolding before the viewer is moderate but expressive, not political. In the right part of the composition is a scene with a group of objects, probably of extraterrestrial origin, whose fantastic shapes are difficult to identify. At the same time, it is worth noting that one of the most likely sources of inspiration for the author was the futuristic opera "Victory over the Sun" (1913) and the individual artistic practice of Mykhailo Matiushyn. The work's colour scheme is warm, dominated by ochres, with some cold areas accentuated by tonal contrasts. On the reverse side of the sketch is a fragment of an unidentified achromatic composition with black and grey gradients and a chromatic ochre and yellow detail. The formal solution is in keeping with modernist practice. Since the fragment is associated with the individual practice of Vasyl Poliovyi, we can assume his authorship. However, as this part does not contain any motifs suitable for identification, it is premature to offer an interpretation at this stage.
Legal regulation
Borys Voznytskyi Lviv National Art Gallery