Collection of Ethnographic Drawings

Kajetan Kielisinski

  • Collection of Ethnographic Drawings 2
Basic information
ID
Г-V-424_133
Author
Kajetan Kielisinski
Name
Collection of Ethnographic Drawings
Country
Kingdom of Poland
Culture
Modern times
Technique
drawing
Material
pencil
Additionally
Information about author
Author
Kajetan Kielisinski
Artist's lifetime
1808–1849
Country
Duchy of Warsaw, Kingdom of Poland
Biography
Kajetan Wincenty Kielisiński (7 August 1808 – 2 January 1849) was a Polish graphic artist, illustrator, librarian, engraver, and draughtsman. He was born into the family of court official Kazper and Katarzyna, née Kleska. He studied at Warsaw University and drew under Jan Feliks Piwarski. After the outbreak of the November Uprising (1830–1831), he interrupted his art studies. He took part in the fighting in 1831, serving as a second lieutenant, and after the uprising was suppressed, he was unable to return to Warsaw. He lived in Kraków for some time, and from 1834 to 1839, he was the curator of the collections of H. Pawlikowski (a collector and bibliophile) in Medyka, where he honed his engraving skills, hoping to continue his studies in Vienna. From 1839, he worked as a librarian and curator of art collections for Tytus Działyński, a public and political figure, patron of the arts, and publisher of historical sources, in Oleszyce near Lubaczów, and from January 1840 in Kurnyk. In 1847, he published the "Catalogue of the Double Collections of Count Działyński's Library". Shortly before his death, he married Apollonia, née Gostynska. He died suddenly on 2 January 1849. K. W. Kielisiński's creative legacy includes about 1,000 watercolours, sketches, drawings of folk types, genre scenes, folk costumes, military uniforms, and landscapes, commissioned by W. Dzieduszycki, T. Działyński, and H. Pawlikowski. During his travels to various localities, he collected graphic materials for the publications "Polish Antiquities" and "Folk Costumes". In 1855, Poznań publisher Jan Konstanty Żupanski published "The Kielisiński's Album", which collected the artist's scattered works. The works of K. W. Kielisiński, signed KWK or KIK, are kept in museums in Krakow, Poznan, Warsaw, Wroclaw, the Borys Voznytskyi Lviv National Art Gallery, and the libraries of Warsaw and Jagiellonian Universities.
Object description
Kajetan Wincenty Kielisiński created numerous etchings and drawings devoted to folklore, life in Polish villages and towns, historical monuments, and landscapes. He was one of the first to develop bookplates in Poland. During his travels to various locations, he collected graphic materials for the publications "Polish Antiquities" and "Folk Costumes". In 1855, Poznań publisher Jan Konstanty Żupanski published "Kielisiński's Album", which collected the artist's scattered works. Kielisiński's graphic works, drawings, sketchbooks, and correspondence were kept in the Kórnik Library of the Polish Academy of Sciences, as well as in national museums (Kraków, Poznań, Warsaw) and renowned libraries (Jagiellonian University, Ossolineum, Warsaw University). The picture shows a young man playing duda. The Duda (also known as the gaida, koza, kozitsya, baran, mikh, dutka) is an archaic folk wind instrument, a type of bagpipe, which is a bag made of goat, sheep or calf skin with a tube inserted into it for pumping air, bass pipes and a pipe with holes (like a flute) on which the melody is played. All the elements of the instrument are clearly visible: the bag (which is pressed by hand), the pipes (including the drone pipe – the longer one resting on the shoulder), and the chanter, which is played by blowing air in through the mouth. The man is dressed in simple peasant clothing, including a long shirt or jacket with wide sleeves, narrow trousers, and simple footwear similar to postoly (traditional leather shoes). The costume looks functional and convenient for travelling or rural areas. On the head, he wears a helmet or hat that resembles a helmet, which is an element of traditional clothing. In the background, you can see a hilly or mountainous landscape with trees, giving the impression that the character is travelling through the mountains. The man is depicted in profile, moving as if stepping forward while playing an instrument. His posture conveys concentration and calm. The lines are clear, thin, and well-crafted. The artist's skill in conveying the texture of fabric, wood, and hair is evident. Shadows are conveyed by hatching. This image has ethnographic or romanticised historical significance. The man is a travelling musician, a typical representative of the folk tradition of playing the bagpipes. The image conveys the spirit of travel, folk culture, and musical life in rural areas. The artistic significance lies in the accurate and detailed reproduction of the folk costume, making it a valuable source for researching and studying traditional culture. In aesthetic terms, we are dealing with an example of realistic drawing, with a special emphasis on the documentary nature of the work.
Legal regulation
Borys Voznytskyi Lviv National Art Gallery